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Auteur khemissi Bougherara |
Documents disponibles écrits par cet auteur (3)
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Titre : Manipulating uncertainty : Thomas pynchon’s quest for mysterious aesthetics Type de document : texte imprimé Auteurs : Amira Halim, Auteur ; khemissi Bougherara, Directeur de thèse Editeur : جامعة الإخوة منتوري قسنطينة Année de publication : 2017 Importance : 231 f. Format : 30 cm. Note générale : 2 copies imprimées disponibles.
Langues : Anglais (eng) Catégories : Français - Anglais
Langue AnglaiseTags : Thomas Pynchon postmodernism truth aesthetics manipulation le postmodernisme la vérité l'esthétisme la manipulation توماس بینشون ما بعد الحداثة الحقیقة الجمالیة الاستغلال Index. décimale : 420 Anglais et vieil anglais (anglo-saxon) : indice de base 42 Résumé : The loss of truth that represented the postmodern fiction was built upon the widespread loss of certainty that appeared as a result of the Second World War. However, the concept of truth in relation to the subject appeared as an aesthetic achievement of selfjudgment. In this thesis, we argue that postmodern novelist Thomas Pynchon manipulates the postmodern widespread ideological loss of truth by depicting it as a controlling mystery to
conceptualize a planned aestheticism that represents a valued notion of the self-achieving individual. In particular, the thesis aims to show Thomas Pynchon as a novelist who takes advantage of postmodernism. The failure of truth to represent an exact certainty leads the subject to establish a firm self-judgment to replace the old perspectives of opinion making.
This replacement is called subjectivity. In G. W. F. Hegel’s philosophy, the subjective notion of the individual should be related to art to create a certain aestheticism in art works.
Considering the postmodern loss of truth and Hegel’s philosophy of aestheticism, Thomas Pynchon takes advantage of the postmodern defeat of truth by representing his works as postmodernist, or as most critics do, to achieve more artistic objectives. This can mainly be proved by analyzing the three main aspects of aestheticism which are freedom, experience and imagination. . As an artist, Thomas Pynchon should depict these steps to achieve an
aesthetic piece of art, as it is shown in Hegel’s aesthetic lectures.Diplôme : Doctorat En ligne : ../theses/anglais/HAL1445.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10625 Manipulating uncertainty : Thomas pynchon’s quest for mysterious aesthetics [texte imprimé] / Amira Halim, Auteur ; khemissi Bougherara, Directeur de thèse . - جامعة الإخوة منتوري قسنطينة, 2017 . - 231 f. ; 30 cm.
2 copies imprimées disponibles.
Langues : Anglais (eng)
Catégories : Français - Anglais
Langue AnglaiseTags : Thomas Pynchon postmodernism truth aesthetics manipulation le postmodernisme la vérité l'esthétisme la manipulation توماس بینشون ما بعد الحداثة الحقیقة الجمالیة الاستغلال Index. décimale : 420 Anglais et vieil anglais (anglo-saxon) : indice de base 42 Résumé : The loss of truth that represented the postmodern fiction was built upon the widespread loss of certainty that appeared as a result of the Second World War. However, the concept of truth in relation to the subject appeared as an aesthetic achievement of selfjudgment. In this thesis, we argue that postmodern novelist Thomas Pynchon manipulates the postmodern widespread ideological loss of truth by depicting it as a controlling mystery to
conceptualize a planned aestheticism that represents a valued notion of the self-achieving individual. In particular, the thesis aims to show Thomas Pynchon as a novelist who takes advantage of postmodernism. The failure of truth to represent an exact certainty leads the subject to establish a firm self-judgment to replace the old perspectives of opinion making.
This replacement is called subjectivity. In G. W. F. Hegel’s philosophy, the subjective notion of the individual should be related to art to create a certain aestheticism in art works.
Considering the postmodern loss of truth and Hegel’s philosophy of aestheticism, Thomas Pynchon takes advantage of the postmodern defeat of truth by representing his works as postmodernist, or as most critics do, to achieve more artistic objectives. This can mainly be proved by analyzing the three main aspects of aestheticism which are freedom, experience and imagination. . As an artist, Thomas Pynchon should depict these steps to achieve an
aesthetic piece of art, as it is shown in Hegel’s aesthetic lectures.Diplôme : Doctorat En ligne : ../theses/anglais/HAL1445.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10625 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité HAL/1446 HAL/1446 Thèse Bibliothèque principale Thèses Disponible
Titre : Recontextualising George Eliot : A cosmopolitan, progressive, and modern Victorian Writer Type de document : texte imprimé Auteurs : Dallel Chenni, Auteur ; khemissi Bougherara, Directeur de thèse Editeur : جامعة الإخوة منتوري قسنطينة Année de publication : 2016 Importance : 230 f. Format : 30 cm. Note générale : 2 copies imprimées disponibles
Langues : Anglais (eng) Catégories : Français - Anglais
Langue AnglaiseIndex. décimale : 420 Anglais et vieil anglais (anglo-saxon) : indice de base 42 Résumé : The cosmopolitan nature of George Eliot’s thought, the diversity of her career, the controversial political views she held on colonialism, the social progress she promoted, and the original use she made of her artistic culture in her fiction all prove she is a multifaceted figure whose writings need to be re-interpreted and recontextualised in the light of twentyfirst century criticism. This research intends to explore Eliot’s cosmopolitanism in terms of her Judaeo-Christian European intellectual heritage, link it with Medieval Islamic thought and culture, and further extend it to determining her attitude to Islam and Arabs within the colonial context of her time. The research also wishes to investigate the extent to which some medieval Islamic philosophical ideas that have migrated to Europe have contributed in shaping Eliot’s progressive views about achieving both individual self-improvement and social progress through her lifelong adoption of realism, which depicts the flaws of Victorian society, promotes human sympathy and raises her readers’ awareness. The dissertation finally aims at highlighting Eliot’s sense of modernity apparent in both her way of thinking and writing, which undeniably connects her with some aspects of modernist literature, as well as with other artistic disciplines whose techniques she originally exploited in enhancing the quality of her fiction. Combining biographical analysis and reader-response criticism approaches, the methodological rationale adopted in the thesis is at the interdisciplinary interface between the history of ideas and literary criticism, which means that a special focus will be devoted to Eliot’s biographical and intellectual backgrounds as necessary contexts to interpret her works and understand her postures. This dissertation is meant as a contribution
to Victorian studies in extending the findings made so far by contemporary critics about Eliot’s cosmopolitanism to include Islamic intellectual heritage, which she has chosen to ignore. This research equally demonstrates that Eliot’s perception of both Arabs and Islamic culture is a biased and a prejudiced one.
Diplôme : Doctorat En ligne : ../theses/anglais/CHE1412.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10315 Recontextualising George Eliot : A cosmopolitan, progressive, and modern Victorian Writer [texte imprimé] / Dallel Chenni, Auteur ; khemissi Bougherara, Directeur de thèse . - جامعة الإخوة منتوري قسنطينة, 2016 . - 230 f. ; 30 cm.
2 copies imprimées disponibles
Langues : Anglais (eng)
Catégories : Français - Anglais
Langue AnglaiseIndex. décimale : 420 Anglais et vieil anglais (anglo-saxon) : indice de base 42 Résumé : The cosmopolitan nature of George Eliot’s thought, the diversity of her career, the controversial political views she held on colonialism, the social progress she promoted, and the original use she made of her artistic culture in her fiction all prove she is a multifaceted figure whose writings need to be re-interpreted and recontextualised in the light of twentyfirst century criticism. This research intends to explore Eliot’s cosmopolitanism in terms of her Judaeo-Christian European intellectual heritage, link it with Medieval Islamic thought and culture, and further extend it to determining her attitude to Islam and Arabs within the colonial context of her time. The research also wishes to investigate the extent to which some medieval Islamic philosophical ideas that have migrated to Europe have contributed in shaping Eliot’s progressive views about achieving both individual self-improvement and social progress through her lifelong adoption of realism, which depicts the flaws of Victorian society, promotes human sympathy and raises her readers’ awareness. The dissertation finally aims at highlighting Eliot’s sense of modernity apparent in both her way of thinking and writing, which undeniably connects her with some aspects of modernist literature, as well as with other artistic disciplines whose techniques she originally exploited in enhancing the quality of her fiction. Combining biographical analysis and reader-response criticism approaches, the methodological rationale adopted in the thesis is at the interdisciplinary interface between the history of ideas and literary criticism, which means that a special focus will be devoted to Eliot’s biographical and intellectual backgrounds as necessary contexts to interpret her works and understand her postures. This dissertation is meant as a contribution
to Victorian studies in extending the findings made so far by contemporary critics about Eliot’s cosmopolitanism to include Islamic intellectual heritage, which she has chosen to ignore. This research equally demonstrates that Eliot’s perception of both Arabs and Islamic culture is a biased and a prejudiced one.
Diplôme : Doctorat En ligne : ../theses/anglais/CHE1412.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10315 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité CHE/1412 CHE/1412 Thèse Bibliothèque principale Thèses Disponible
Titre : T. S. eliot's notion of tradition in tradition and the individual talent Type de document : texte imprimé Auteurs : khemissi Bougherara ; University of Manchester, Éditeur scientifique ; Lindop Grevel, Directeur de thèse Année de publication : 1985 Importance : 70 f. Note générale : 01 Disponible au magasin de la bibliothèque universitaire centrale Langues : Anglais (eng) Catégories : Français - Anglais
Langue AnglaiseTags : Tradition and the individual talent Tradition Eliot (T.S.) Index. décimale : 420 Anglais et vieil anglais (anglo-saxon) : indice de base 42 Permalink : index.php?lvl=notice_display&id=4631 T. S. eliot's notion of tradition in tradition and the individual talent [texte imprimé] / khemissi Bougherara ; University of Manchester, Éditeur scientifique ; Lindop Grevel, Directeur de thèse . - 1985 . - 70 f.
01 Disponible au magasin de la bibliothèque universitaire centrale
Langues : Anglais (eng)
Catégories : Français - Anglais
Langue AnglaiseTags : Tradition and the individual talent Tradition Eliot (T.S.) Index. décimale : 420 Anglais et vieil anglais (anglo-saxon) : indice de base 42 Permalink : index.php?lvl=notice_display&id=4631 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité BOU/102 BOU/102 Thèse Bibliothèque principale Thèses Disponible
