Détail de l'auteur
Auteur عزيز لعكايشي |
Documents disponibles écrits par cet auteur (8)



Titre : الإعجاز النفسي في الخطاب القرآني Type de document : texte imprimé Auteurs : قويدر قيطون, Auteur ; عزيز لعكايشي, Directeur de thèse Editeur : constantine [Algérie] : Université Constantine 1 Année de publication : 2015 Importance : 577 ورقة. Format : 30 سم. Note générale : 2نسخ موجودة مكتبة المركزية
Langues : Arabe (ara) Catégories : Arabe
الأدب العربيIndex. décimale : 810 أدب عربي Résumé : The aim of this study is to highlight one important face of inimitability in the Quranic discourse. Alkhatabi is considered as the first one to mention it under the name of “Its Effect in the Hearts,” this is despite the fact that some have pointed to it before and after him, but they did not give it its due right of study.
Thus, the present study attempts to explain this face of inimitability, and to follow what ancient and modern scholars of the Quranic discourse have said about it. It also attempts to show its contents and mechanisms, by presenting practical examples for multiple models from the
Koran.The main aim of this study is to answer a set of important questions, including:
- If the Koran has descended in a language which is a language of Arabs, who
are imams and who have received it with dazzle, boggle and predominance;
What is the secret of that dazzle, and this predominance, and that boggle?
- What are the mechanisms that the Quranic discourse has reclined upon in its
psychological impact on recipients? Can we consider this side as an independent face
of the faces of inimitability? Is it specific to Arabs or does it extend to include
others? Is its time limited to the period of its descend, or does it extend across all
time?
- How could the Quranic discourse meet the need of the human soul, and express it till
it surrenders to its content?
- What is the role of rhetoric in highlighting what is in the souls?
- If the Quran makes the artistic beauty an intended tool to influence the
emotional sense of conscience and addresses the emotional sense of religion in the 5
Diplôme : Doctorat en sciences En ligne : ../theses/arabe/AKIT4081.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10050 الإعجاز النفسي في الخطاب القرآني [texte imprimé] / قويدر قيطون, Auteur ; عزيز لعكايشي, Directeur de thèse . - constantine [Algérie] : Université Constantine 1, 2015 . - 577 ورقة. ; 30 سم.
2نسخ موجودة مكتبة المركزية
Langues : Arabe (ara)
Catégories : Arabe
الأدب العربيIndex. décimale : 810 أدب عربي Résumé : The aim of this study is to highlight one important face of inimitability in the Quranic discourse. Alkhatabi is considered as the first one to mention it under the name of “Its Effect in the Hearts,” this is despite the fact that some have pointed to it before and after him, but they did not give it its due right of study.
Thus, the present study attempts to explain this face of inimitability, and to follow what ancient and modern scholars of the Quranic discourse have said about it. It also attempts to show its contents and mechanisms, by presenting practical examples for multiple models from the
Koran.The main aim of this study is to answer a set of important questions, including:
- If the Koran has descended in a language which is a language of Arabs, who
are imams and who have received it with dazzle, boggle and predominance;
What is the secret of that dazzle, and this predominance, and that boggle?
- What are the mechanisms that the Quranic discourse has reclined upon in its
psychological impact on recipients? Can we consider this side as an independent face
of the faces of inimitability? Is it specific to Arabs or does it extend to include
others? Is its time limited to the period of its descend, or does it extend across all
time?
- How could the Quranic discourse meet the need of the human soul, and express it till
it surrenders to its content?
- What is the role of rhetoric in highlighting what is in the souls?
- If the Quran makes the artistic beauty an intended tool to influence the
emotional sense of conscience and addresses the emotional sense of religion in the 5
Diplôme : Doctorat en sciences En ligne : ../theses/arabe/AKIT4081.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10050 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité قيط/4081 قيط/4081 Thèse Bibliothèque principale Thèses Disponible
Titre : الإيقاع البلاغي في شعر مفــدي زكريــاء Type de document : texte imprimé Auteurs : عبد الحميد بوفاس, Auteur ; عزيز لعكايشي, Directeur de thèse Editeur : جامعة الإخوة منتوري قسنطينة Année de publication : 2017 Importance : 774 ورقة. Format : 30 سم. Note générale : 2نسخ موجودة مكتبة المركزية
Langues : Arabe (ara) Catégories : Arabe
الأدب العربيTags : إيقاع وزن موسيقى بلاغة rythm mettre music réthorique Index. décimale : 810 أدب عربي Résumé : The present research deals with the phenomenon of rhetorical rhythm in Moufdi Zakarya’s poem through his five collections, namely; alahab elmokadas, The Iliad of Algeria, min wahyi el atlas, tahta dilal ezaytoun, and amdjadona tatakalem. It is made up of a general background, three chapters, nine sections and a conclusion. In the general background of the research, we have dealt with the various linguistic and terminological concepts for
rhythm, pointing out to its relationship with the different language disciplines. We have also spoken about the musical and poetic rhythms, pinpointing the link between rhythm and music from the one hand, and rhythm and songs from the other. Further, we have referred to all kinds of rhythm and highlighted its expressive, interpretive, aesthetic, psychological functions, which led us to differentiate between rhythm within arts from the one outside
them.
The first chapter dealt with the rhythm of predicative and affective styles; rhythm of foregrounding and backgrounding; rhythm of definiteness and indefiniteness. In the second chapter, there has been a discussion about the rhythm of simile, metaphor and the rhythm of the global image. The third chapter examined the rhythm of rhyme, homophony and the one of rendering the backgrounded verses in the forgrounded ones.
The research has revealed the awareness of the ancient Arabs to the rhetorical rhythm within their interest in the Arabic language in different uses in addition to their keen interest in poetry and its refinement. All that is for the sake of influencing the addressee and getting the pithy expression for the intended meaning. This has been manifest in their talk on eloquence, rhetoric as well as their research works related to issues of miracles within the sacred Quran and Quranic readings.
Additionally, the research has shown that the rhetorical rhythm cannot be studied in isolation from the phonological, syntactic, morphological and semantic issues, not to mention the global view among these aspects without neglecting anyone of them.
Despite the fact that metrical rhythm is characterized by its rigour and clarity, rhetorical rhythm is known for its variety, diversification and richness. This is so because it represents language. Actually, the latter will have no realization unless there exists a rhetoric phenomenon.
In fact, it is highly possible that the present vision to rhythm is behind the renewal of Arabic Rhetoric whenever there are new linguistic structures or expressions. Given such a situation, rhetorical rhythm is made a precursor for any creative work at all times.
Diplôme : Doctorat en sciences En ligne : ../theses/arabe/ABOU4224.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10650 الإيقاع البلاغي في شعر مفــدي زكريــاء [texte imprimé] / عبد الحميد بوفاس, Auteur ; عزيز لعكايشي, Directeur de thèse . - جامعة الإخوة منتوري قسنطينة, 2017 . - 774 ورقة. ; 30 سم.
2نسخ موجودة مكتبة المركزية
Langues : Arabe (ara)
Catégories : Arabe
الأدب العربيTags : إيقاع وزن موسيقى بلاغة rythm mettre music réthorique Index. décimale : 810 أدب عربي Résumé : The present research deals with the phenomenon of rhetorical rhythm in Moufdi Zakarya’s poem through his five collections, namely; alahab elmokadas, The Iliad of Algeria, min wahyi el atlas, tahta dilal ezaytoun, and amdjadona tatakalem. It is made up of a general background, three chapters, nine sections and a conclusion. In the general background of the research, we have dealt with the various linguistic and terminological concepts for
rhythm, pointing out to its relationship with the different language disciplines. We have also spoken about the musical and poetic rhythms, pinpointing the link between rhythm and music from the one hand, and rhythm and songs from the other. Further, we have referred to all kinds of rhythm and highlighted its expressive, interpretive, aesthetic, psychological functions, which led us to differentiate between rhythm within arts from the one outside
them.
The first chapter dealt with the rhythm of predicative and affective styles; rhythm of foregrounding and backgrounding; rhythm of definiteness and indefiniteness. In the second chapter, there has been a discussion about the rhythm of simile, metaphor and the rhythm of the global image. The third chapter examined the rhythm of rhyme, homophony and the one of rendering the backgrounded verses in the forgrounded ones.
The research has revealed the awareness of the ancient Arabs to the rhetorical rhythm within their interest in the Arabic language in different uses in addition to their keen interest in poetry and its refinement. All that is for the sake of influencing the addressee and getting the pithy expression for the intended meaning. This has been manifest in their talk on eloquence, rhetoric as well as their research works related to issues of miracles within the sacred Quran and Quranic readings.
Additionally, the research has shown that the rhetorical rhythm cannot be studied in isolation from the phonological, syntactic, morphological and semantic issues, not to mention the global view among these aspects without neglecting anyone of them.
Despite the fact that metrical rhythm is characterized by its rigour and clarity, rhetorical rhythm is known for its variety, diversification and richness. This is so because it represents language. Actually, the latter will have no realization unless there exists a rhetoric phenomenon.
In fact, it is highly possible that the present vision to rhythm is behind the renewal of Arabic Rhetoric whenever there are new linguistic structures or expressions. Given such a situation, rhetorical rhythm is made a precursor for any creative work at all times.
Diplôme : Doctorat en sciences En ligne : ../theses/arabe/ABOU4224.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10650 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité بوف/4224 بوف/4224 Thèse Bibliothèque principale Thèses Disponible
Titre : البناء الفني في الشعر الجزائري المعاصر مرحلة التحولات (1988-2000م( Type de document : texte imprimé Auteurs : كمال فنينش, Auteur ; عزيز لعكايشي, Directeur de thèse Editeur : جامعة الإخوة منتوري قسنطينة Année de publication : 2010 Importance : 182 ورقة. Format : 30 سم Note générale : مذكرة ماجستير
1نسخة موجودة في قاعة المطالعة
2نسخ موجودة في مخزن المكتبة المركزيةLangues : Arabe (ara) Catégories : Arabe
الأدب العربيTags : البناء الفني؛الشعر الجزائري المعاصر؛مرحلة التحولات؛اللغة الشعرية ؛ الصورة الفنية ؛ الإيقاع Index. décimale : 810 أدب عربي En ligne : ../theses/arabe/AFAN3208.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=9016 البناء الفني في الشعر الجزائري المعاصر مرحلة التحولات (1988-2000م( [texte imprimé] / كمال فنينش, Auteur ; عزيز لعكايشي, Directeur de thèse . - جامعة الإخوة منتوري قسنطينة, 2010 . - 182 ورقة. ; 30 سم.
مذكرة ماجستير
1نسخة موجودة في قاعة المطالعة
2نسخ موجودة في مخزن المكتبة المركزية
Langues : Arabe (ara)
Catégories : Arabe
الأدب العربيTags : البناء الفني؛الشعر الجزائري المعاصر؛مرحلة التحولات؛اللغة الشعرية ؛ الصورة الفنية ؛ الإيقاع Index. décimale : 810 أدب عربي En ligne : ../theses/arabe/AFAN3208.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=9016 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité فني/3208 فني/3208 Thèse Bibliothèque principale Thèses Disponible
Titre : التشكيل الفني في شعر إبراهيم أبي اليقظان Type de document : texte imprimé Auteurs : فضيلة ركبة ; جامعة قسنطينة, Éditeur scientifique ; عزيز لعكايشي, Directeur de thèse Année de publication : 2008 Importance : 240ورقة Note générale : 2 نسخ موجودة في مخزن المكتبة المركزية 1 نسخة محولة الى مكتبة العلوم الإنسانية Langues : Arabe (ara) Catégories : Arabe
الأدب العربيTags : التشكيل الفني شعر إبراهيم أبي اليقظان Index. décimale : 810 أدب عربي En ligne : ../theses/arabe/AREK2491.pdf Permalink : index.php?lvl=notice_display&id=6746 التشكيل الفني في شعر إبراهيم أبي اليقظان [texte imprimé] / فضيلة ركبة ; جامعة قسنطينة, Éditeur scientifique ; عزيز لعكايشي, Directeur de thèse . - 2008 . - 240ورقة.
2 نسخ موجودة في مخزن المكتبة المركزية 1 نسخة محولة الى مكتبة العلوم الإنسانية
Langues : Arabe (ara)
Catégories : Arabe
الأدب العربيTags : التشكيل الفني شعر إبراهيم أبي اليقظان Index. décimale : 810 أدب عربي En ligne : ../theses/arabe/AREK2491.pdf Permalink : index.php?lvl=notice_display&id=6746 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité ركب/ 2491 ركب/ 2491 Thèse Bibliothèque principale Thèses Disponible
Titre : بنية الخطاب الشعري عند يوسف وغليسي Type de document : texte imprimé Auteurs : حليمة واقوش, Auteur ; عزيز لعكايشي, Directeur de thèse Editeur : جامعة الإخوة منتوري قسنطينة Année de publication : 2013 Importance : 235 ورقة. Format : 30 سم. Note générale : مذكرة ماجستير
2نسخ موجودة في المكتبة المركزيةLangues : Arabe (ara) Catégories : Arabe
الأدب العربيTags : الخطاب الشعري ؛ يوسف وغليسي Index. décimale : 810 أدب عربي Diplôme : Magistère En ligne : ../theses/arabe/AOIK3917.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=9353 بنية الخطاب الشعري عند يوسف وغليسي [texte imprimé] / حليمة واقوش, Auteur ; عزيز لعكايشي, Directeur de thèse . - جامعة الإخوة منتوري قسنطينة, 2013 . - 235 ورقة. ; 30 سم.
مذكرة ماجستير
2نسخ موجودة في المكتبة المركزية
Langues : Arabe (ara)
Catégories : Arabe
الأدب العربيTags : الخطاب الشعري ؛ يوسف وغليسي Index. décimale : 810 أدب عربي Diplôme : Magistère En ligne : ../theses/arabe/AOIK3917.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=9353 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité واق/3917 واق/3917 Thèse Bibliothèque principale Thèses Disponible PermalinkPermalinkPermalink