| Titre : |
شعر الأمير عبد القادر الجزائري : الرؤية والأداة |
| Type de document : |
texte imprimé |
| Auteurs : |
وسيلة مرباح, Auteur ; حسن كاتب, Directeur de thèse |
| Editeur : |
جامعة الإخوة منتوري قسنطينة |
| Année de publication : |
2016 |
| Importance : |
299 ورقة. |
| Format : |
30 سم. |
| Note générale : |
2نسخ موجودة مكتبة المركزية
|
| Langues : |
Français (fre) |
| Catégories : |
Arabe
الأدب العربي
|
| Tags : |
الرؤية الشعرية الأدوات الفنية الرؤية البطولية الرؤية الوجدانية الرؤية التأملية اللغة
الشعرية الانزياح التناص التكرار الصورة الفنية ، الإيقاع The poetry text The poetry vision The artistic tool The Heroic
vision The Compassion vision The contemplative vision The poetic
language The displacement The intersexuality The repetition The
artistic image The music "Le texte de la poésie, La poésie vision , L'outil artistique, , La vision héroïque, la
compassion, la vie contemplative vision, la langue poétique, le déplacement, la
transtextualitè, la répétition, l'image artistique, la musique ." |
| Index. décimale : |
810 أدب عربي |
| Résumé : |
This thesis studies the Emir's poetry text in order to show the poet’s view concerning his positions , orientations and his diverse perceptions according to the diversity of his poetry topics, in addition to the clarification of the most expressive instruments, and the extent to which they affect his visions.
To realize that, the research addresses on a number of questions and hypotheses, including:
What are the vision patterns in the poetry of the Emir Abd-el-Kader? Are they tradition-follow patterns? Or patterns in which the Emir avoided tradition and following, and printed it with personal perceptions reflecting his view concerning the issues of his time?
How did the Emir Abd-el-Kader shape his views at the level of stylistic composition? What are the artistic tools that he used to highlight these visions?
Are these tools rich and diverse?, Or poor and limited?
Is there a harmony between the vision and the tool in the poetry of the Emir Abd-el-Kader? And to what extent is this harmony?
To answer to these questions, I relied in this study on procedures taken from the stylistic statistical curriculum, I consider it suitable for the nature of the subject, able to support it, and directs its way toward its goal in objectively, far from prejudices and prefabricated scenarios.
I also employed in this study some of the historical method procedures. I enlisted it in the tracking of the Emir Abd-el-Kader’s life, as well as the arrangement of the vision patterns in relation linked to the stages of his life.
I began with firstly the heroic vision, secondly the compassionate vision,and finally, the contemplative vision. The artistic approach slightly has been involved in this study to show the aesthetics and techniques of the Emir's poetic text.
Because this research deals with two corners in the poetry of the Emir Abdel-Kader namely: the ""vision"" and ""tool"", I have divided it into an introduction, a preface, two practical parts, and a conclusion.
In the introduction, I discussed the importance of the topic and the motives of his choice, the previous studies; I stated the problem; I presented the chosen approach, the research planning, and some of the difficulties that I faced, and lastly Acknowledgements were written.
The preface, is allocated for the definition of theoretical concepts that are relevant to the research topic, initiated by the biography of the Emir Abd-el-
|
| Diplôme : |
Doctorat en sciences |
| En ligne : |
../theses/arabe/AMER4134.pdf |
| Format de la ressource électronique : |
pdf |
| Permalink : |
index.php?lvl=notice_display&id=10302 |
شعر الأمير عبد القادر الجزائري : الرؤية والأداة [texte imprimé] / وسيلة مرباح, Auteur ; حسن كاتب, Directeur de thèse . - جامعة الإخوة منتوري قسنطينة, 2016 . - 299 ورقة. ; 30 سم. 2نسخ موجودة مكتبة المركزية
Langues : Français ( fre)
| Catégories : |
Arabe
الأدب العربي
|
| Tags : |
الرؤية الشعرية الأدوات الفنية الرؤية البطولية الرؤية الوجدانية الرؤية التأملية اللغة
الشعرية الانزياح التناص التكرار الصورة الفنية ، الإيقاع The poetry text The poetry vision The artistic tool The Heroic
vision The Compassion vision The contemplative vision The poetic
language The displacement The intersexuality The repetition The
artistic image The music "Le texte de la poésie, La poésie vision , L'outil artistique, , La vision héroïque, la
compassion, la vie contemplative vision, la langue poétique, le déplacement, la
transtextualitè, la répétition, l'image artistique, la musique ." |
| Index. décimale : |
810 أدب عربي |
| Résumé : |
This thesis studies the Emir's poetry text in order to show the poet’s view concerning his positions , orientations and his diverse perceptions according to the diversity of his poetry topics, in addition to the clarification of the most expressive instruments, and the extent to which they affect his visions.
To realize that, the research addresses on a number of questions and hypotheses, including:
What are the vision patterns in the poetry of the Emir Abd-el-Kader? Are they tradition-follow patterns? Or patterns in which the Emir avoided tradition and following, and printed it with personal perceptions reflecting his view concerning the issues of his time?
How did the Emir Abd-el-Kader shape his views at the level of stylistic composition? What are the artistic tools that he used to highlight these visions?
Are these tools rich and diverse?, Or poor and limited?
Is there a harmony between the vision and the tool in the poetry of the Emir Abd-el-Kader? And to what extent is this harmony?
To answer to these questions, I relied in this study on procedures taken from the stylistic statistical curriculum, I consider it suitable for the nature of the subject, able to support it, and directs its way toward its goal in objectively, far from prejudices and prefabricated scenarios.
I also employed in this study some of the historical method procedures. I enlisted it in the tracking of the Emir Abd-el-Kader’s life, as well as the arrangement of the vision patterns in relation linked to the stages of his life.
I began with firstly the heroic vision, secondly the compassionate vision,and finally, the contemplative vision. The artistic approach slightly has been involved in this study to show the aesthetics and techniques of the Emir's poetic text.
Because this research deals with two corners in the poetry of the Emir Abdel-Kader namely: the ""vision"" and ""tool"", I have divided it into an introduction, a preface, two practical parts, and a conclusion.
In the introduction, I discussed the importance of the topic and the motives of his choice, the previous studies; I stated the problem; I presented the chosen approach, the research planning, and some of the difficulties that I faced, and lastly Acknowledgements were written.
The preface, is allocated for the definition of theoretical concepts that are relevant to the research topic, initiated by the biography of the Emir Abd-el-
|
| Diplôme : |
Doctorat en sciences |
| En ligne : |
../theses/arabe/AMER4134.pdf |
| Format de la ressource électronique : |
pdf |
| Permalink : |
index.php?lvl=notice_display&id=10302 |
|
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