La représentation de Paris à la « Belle Époque » chez Colette dans / Yasmina Labed  

Public ISBD Titre : La représentation de Paris à la « Belle Époque » chez Colette dans : Claudine à Paris, En camarades, Contes de mille et un matins. Type de document : texte imprimé Auteurs : Yasmina Labed, Auteur ; Hassen Boussaha, Directeur de thèse ; Alain Vuillemin, Directeur de thèse Editeur : جامعة الإخوة منتوري قسنطينة Année de publication : 2018 Importance : 244 f. Format : 30 cm. Note générale : 2 copies imprimées disponibles Langues : Français (fre) Catégories : Français - Anglais Langue Française Tags : Paris  Colette  La Belle Époque  Image  Les parisiens  les Parisiennes  The Parisian  the Parisian women  باریس  كولیت  الحقبة الجمیلة  الصورة  الباریسیون  الباریسیات Index. décimale : 440 Langues romanes. Français Résumé : Paris holds a major place in Colette's work. An autobiographical narrative, appeared in 1944, Paris de ma fenêtre, in fact the confession. She remembers Paris of her youth that of the ""Belle Époque"" there, such as it existed before the World War I. His discovery of Paris in his life, leave of 1893, Colette told it in a way hardly veiled through the series of the Claudine; semi-autobiographical novels were published between 1900 and 1903. She also transposed this experience into most of her other romantic papers, up to the theater, in En camarades, a drama in two acts, created in 1907. It gets free of it a representation of complex Paris, the esthetics of which is widely borrowed from the World of show. In his narratives, indeed, Colette excels in taking ""plastic poses"" to resume the subtitle of his play, En camarades. She"" poses"", indeed, she adopts postures, agreed attitudes, she mimes her own role to produce effects and to seem what she is not really. It is one of keys of her, creative approach. What she says of Paris which she knew about the ""Belle Époque"" participates of this fundamental feature of her personality. Resting on this very theatrical character of his writing and by postulating that the descriptions which she gives of this place, this city of Paris in the Belle Époque , would be as so many variations, manifestoes or hidden, of the same central, secret self-portrait, his clean, we tried to identify the presence and its representations associated with this favored place, Paris, in its work, and with the main male and feminine characters, the Parisians and the Parisians, that we meet there… Diplôme : Doctorat en sciences En ligne : ../theses/francais/LAB1495.pdf Format de la ressource électronique : pdf Permalink : index.php?lvl=notice_display&id=10868 La représentation de Paris à la « Belle Époque » chez Colette dans : Claudine à Paris, En camarades, Contes de mille et un matins. [texte imprimé] / Yasmina Labed, Auteur ; Hassen Boussaha, Directeur de thèse ; Alain Vuillemin, Directeur de thèse . - جامعة الإخوة منتوري قسنطينة, 2018 . - 244 f. ; 30 cm. 2 copies imprimées disponibles Langues : Français (fre) Catégories : Français - Anglais Langue Française Tags : Paris  Colette  La Belle Époque  Image  Les parisiens  les Parisiennes  The Parisian  the Parisian women  باریس  كولیت  الحقبة الجمیلة  الصورة  الباریسیون  الباریسیات Index. décimale : 440 Langues romanes. Français Résumé : Paris holds a major place in Colette's work. An autobiographical narrative, appeared in 1944, Paris de ma fenêtre, in fact the confession. She remembers Paris of her youth that of the ""Belle Époque"" there, such as it existed before the World War I. His discovery of Paris in his life, leave of 1893, Colette told it in a way hardly veiled through the series of the Claudine; semi-autobiographical novels were published between 1900 and 1903. She also transposed this experience into most of her other romantic papers, up to the theater, in En camarades, a drama in two acts, created in 1907. It gets free of it a representation of complex Paris, the esthetics of which is widely borrowed from the World of show. In his narratives, indeed, Colette excels in taking ""plastic poses"" to resume the subtitle of his play, En camarades. She"" poses"", indeed, she adopts postures, agreed attitudes, she mimes her own role to produce effects and to seem what she is not really. It is one of keys of her, creative approach. What she says of Paris which she knew about the ""Belle Époque"" participates of this fundamental feature of her personality. Resting on this very theatrical character of his writing and by postulating that the descriptions which she gives of this place, this city of Paris in the Belle Époque , would be as so many variations, manifestoes or hidden, of the same central, secret self-portrait, his clean, we tried to identify the presence and its representations associated with this favored place, Paris, in its work, and with the main male and feminine characters, the Parisians and the Parisians, that we meet there… Diplôme : Doctorat en sciences En ligne : ../theses/francais/LAB1495.pdf Format de la ressource électronique : pdf Permalink : index.php?lvl=notice_display&id=10868

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
LAB/1495	LAB/1495	Thèse	Bibliothèque principale	Thèses	Disponible

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