Catalogue des Mémoires de master

Titre : |
Absurdism in The Stranger (1942) and Slaughterhouse Five (1969): A Comparative Study |
Type de document : |
texte imprimé |
Auteurs : |
Selma Djebarni, Auteur ; Ibtihel Assabaa, Directeur de thèse |
Editeur : |
CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine |
Année de publication : |
2020 |
Importance : |
69 f. |
Format : |
30cm. |
Note générale : |
Une copie electronique PDF disponible au BUC. |
Langues : |
Anglais (eng) |
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
Camusian absurdism Albert Camus Kurt Vonnegut rgson’s duration Nietzsche Sartre. |
Index. décimale : |
420 Langue anglaise |
Résumé : |
This dissertation examines and compares Albert Camus’s The Stranger (1942) and Kurt
Vonnegut’s Slaughterhouse Five (1969) in order to show how the spread of absurdism resulted in
parallels between the two works. The Stranger is one of the most celebrated literary works of the
twentieth century, and Camus’s testament of the absurd philosophy. The novel does not only put
forward Camus’s philosophy of the absurd but to a great extent depict his personal struggles and
trauma in the modern world that highly contribute to the foundation of the absurd. Slaughterhouse
five is also a novel that is considered one of America’s most influential, controversial and praised
novels in the post-modern era, it exhibits largely Kurt Vonnegut’s struggles in World War Two
and his post war mental state that add to the comparison of the two novels. The work examines the
novels from a Camusian absurdist stand point, it also alludes to major nineteenth and twentieth
century thinkers, Bergson Nietzsche and Sartre, in order to grasp the absurdist philosophy and point
out the similar conceptions presented in the two novels. |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13850 |
Absurdism in The Stranger (1942) and Slaughterhouse Five (1969): A Comparative Study [texte imprimé] / Selma Djebarni, Auteur ; Ibtihel Assabaa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2020 . - 69 f. ; 30cm. Une copie electronique PDF disponible au BUC. Langues : Anglais ( eng)
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
Camusian absurdism Albert Camus Kurt Vonnegut rgson’s duration Nietzsche Sartre. |
Index. décimale : |
420 Langue anglaise |
Résumé : |
This dissertation examines and compares Albert Camus’s The Stranger (1942) and Kurt
Vonnegut’s Slaughterhouse Five (1969) in order to show how the spread of absurdism resulted in
parallels between the two works. The Stranger is one of the most celebrated literary works of the
twentieth century, and Camus’s testament of the absurd philosophy. The novel does not only put
forward Camus’s philosophy of the absurd but to a great extent depict his personal struggles and
trauma in the modern world that highly contribute to the foundation of the absurd. Slaughterhouse
five is also a novel that is considered one of America’s most influential, controversial and praised
novels in the post-modern era, it exhibits largely Kurt Vonnegut’s struggles in World War Two
and his post war mental state that add to the comparison of the two novels. The work examines the
novels from a Camusian absurdist stand point, it also alludes to major nineteenth and twentieth
century thinkers, Bergson Nietzsche and Sartre, in order to grasp the absurdist philosophy and point
out the similar conceptions presented in the two novels. |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13850 |
|
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