Titre :	Figuring out the New (Old) World: Sam Selvon’s Lonely Boys in London
Type de document :	texte imprimé
Auteurs :	Aya Chelloul, Auteur ; Imane Benkhlifa, Directeur de thèse
Editeur :	CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine
Année de publication :	2021
Importance :	77 f.
Format :	30 cm.
Note générale :	Une copie electronique PDF disponible au BUC.
Langues :	Anglais (eng)
Catégories :	Lettres et Langues Etrangères:Langue Anglaise
Tags :	Immigration  Performativity  race  Hegemonic Masculinity  1950’s London.
Index. décimale :	420 Langue anglaise
Résumé :	This research work centers on the lives of Black West Indian immigrants newly arriving in London in the 1950's as depicted in Sam Selvon’s novel The Lonely Londoners. Its aim is to reveal the discursive and institutional constraints that have shaped their existence in the host country. This research contends that these individuals are performing the identities that have been assigned to their skin color through the process of ‘incorporation’. The arguments supporting this claim are based on the notion of Performativity designed by Judith Butler, its intersections with race and gender, Frantz Fanon's insights on Black subjectivity, and on Raewyn Connell's concept of Hegemonic Masculinity.
Diplome :	Master 2
Permalink :	https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=15350

Figuring out the New (Old) World: Sam Selvon’s Lonely Boys in London [texte imprimé] / Aya Chelloul, Auteur ; Imane Benkhlifa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2021 . - 77 f. ; 30 cm.
Une copie electronique PDF disponible au BUC.
Langues : Anglais (eng)

Catégories :	Lettres et Langues Etrangères:Langue Anglaise
Tags :	Immigration  Performativity  race  Hegemonic Masculinity  1950’s London.
Index. décimale :	420 Langue anglaise
Résumé :	This research work centers on the lives of Black West Indian immigrants newly arriving in London in the 1950's as depicted in Sam Selvon’s novel The Lonely Londoners. Its aim is to reveal the discursive and institutional constraints that have shaped their existence in the host country. This research contends that these individuals are performing the identities that have been assigned to their skin color through the process of ‘incorporation’. The arguments supporting this claim are based on the notion of Performativity designed by Judith Butler, its intersections with race and gender, Frantz Fanon's insights on Black subjectivity, and on Raewyn Connell's concept of Hegemonic Masculinity.
Diplome :	Master 2
Permalink :	https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=15350