Absurdism in The Stranger (1942) and Slaughterhouse Five (1969): A Comparative Study / Selma Djebarni 

Public ISBD Titre : Absurdism in The Stranger (1942) and Slaughterhouse Five (1969): A Comparative Study Type de document : texte imprimé Auteurs : Selma Djebarni, Auteur ; Ibtihel Assabaa, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2020 Importance : 69 f. Format : 30cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Camusian absurdism  Albert Camus  Kurt Vonnegut  rgson’s duration  Nietzsche  Sartre. Index. décimale : 420 Langue anglaise Résumé : This dissertation examines and compares Albert Camus’s The Stranger (1942) and Kurt Vonnegut’s Slaughterhouse Five (1969) in order to show how the spread of absurdism resulted in parallels between the two works. The Stranger is one of the most celebrated literary works of the twentieth century, and Camus’s testament of the absurd philosophy. The novel does not only put forward Camus’s philosophy of the absurd but to a great extent depict his personal struggles and trauma in the modern world that highly contribute to the foundation of the absurd. Slaughterhouse five is also a novel that is considered one of America’s most influential, controversial and praised novels in the post-modern era, it exhibits largely Kurt Vonnegut’s struggles in World War Two and his post war mental state that add to the comparison of the two novels. The work examines the novels from a Camusian absurdist stand point, it also alludes to major nineteenth and twentieth century thinkers, Bergson Nietzsche and Sartre, in order to grasp the absurdist philosophy and point out the similar conceptions presented in the two novels. Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13850 Absurdism in The Stranger (1942) and Slaughterhouse Five (1969): A Comparative Study [texte imprimé] / Selma Djebarni, Auteur ; Ibtihel Assabaa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2020 . - 69 f. ; 30cm. Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Camusian absurdism  Albert Camus  Kurt Vonnegut  rgson’s duration  Nietzsche  Sartre. Index. décimale : 420 Langue anglaise Résumé : This dissertation examines and compares Albert Camus’s The Stranger (1942) and Kurt Vonnegut’s Slaughterhouse Five (1969) in order to show how the spread of absurdism resulted in parallels between the two works. The Stranger is one of the most celebrated literary works of the twentieth century, and Camus’s testament of the absurd philosophy. The novel does not only put forward Camus’s philosophy of the absurd but to a great extent depict his personal struggles and trauma in the modern world that highly contribute to the foundation of the absurd. Slaughterhouse five is also a novel that is considered one of America’s most influential, controversial and praised novels in the post-modern era, it exhibits largely Kurt Vonnegut’s struggles in World War Two and his post war mental state that add to the comparison of the two novels. The work examines the novels from a Camusian absurdist stand point, it also alludes to major nineteenth and twentieth century thinkers, Bergson Nietzsche and Sartre, in order to grasp the absurdist philosophy and point out the similar conceptions presented in the two novels. Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13850

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Deconstructing the Image of Oppressed African Women: A Womanist Reading of Buchi Emecheta’s The Joys of Motherhood / Mazzi Kaouther 

Public ISBD Titre : Deconstructing the Image of Oppressed African Women: A Womanist Reading of Buchi Emecheta’s The Joys of Motherhood Type de document : texte imprimé Auteurs : Mazzi Kaouther, Auteur ; Ibtihel Assabaa, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2021 Importance : 86 f. Format : 30 cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Oppression  womanist approach  The Joys of Motherhood  self fulfillment  Emecheta  motherhood. Index. décimale : 420 Langue anglaise Résumé : Igbo women were economically strong and they resisted sexism through sociopolitical institutions in the pre-colonial era; however, they were represented in African male literature only as silent mothers who do not react to oppression. Male authors have, also, presented motherhood to be ideal as seen according to the patriarchal tradition. The existing literature on The Joys of Motherhood made over generalizations about African women that they are totally oppressed. This thesis investigates the image of African women in this female African text. Thus, it relies on womanism theory when analyzing female oppression in the traditional and modern settings and how female characters have reacted to it. The analysis showed that womanist traits like flexibility, courage, adaptability and female friendship are effective strategies, which help resisting oppression. It, also, revealed that Nigerian women can be mothers and are capable of building market economy. Significantly, motherhood, in the novel, is not a joyful experience for Nigerian characters because their womanhood is solely narrowed to it, and it is a torture in bad economic circumstances. Finally, it is concluded that not all African women, particularly Nigerians, are completely oppressed. This is highlighted through the portrayal of the female characters Adaku, Ona and Adankwo. As a result, Emecheta wants Nigerian women to be self-fulfilled, so she wants to heal the society from sexism and racism Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=15388 Deconstructing the Image of Oppressed African Women: A Womanist Reading of Buchi Emecheta’s The Joys of Motherhood [texte imprimé] / Mazzi Kaouther, Auteur ; Ibtihel Assabaa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2021 . - 86 f. ; 30 cm. Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Oppression  womanist approach  The Joys of Motherhood  self fulfillment  Emecheta  motherhood. Index. décimale : 420 Langue anglaise Résumé : Igbo women were economically strong and they resisted sexism through sociopolitical institutions in the pre-colonial era; however, they were represented in African male literature only as silent mothers who do not react to oppression. Male authors have, also, presented motherhood to be ideal as seen according to the patriarchal tradition. The existing literature on The Joys of Motherhood made over generalizations about African women that they are totally oppressed. This thesis investigates the image of African women in this female African text. Thus, it relies on womanism theory when analyzing female oppression in the traditional and modern settings and how female characters have reacted to it. The analysis showed that womanist traits like flexibility, courage, adaptability and female friendship are effective strategies, which help resisting oppression. It, also, revealed that Nigerian women can be mothers and are capable of building market economy. Significantly, motherhood, in the novel, is not a joyful experience for Nigerian characters because their womanhood is solely narrowed to it, and it is a torture in bad economic circumstances. Finally, it is concluded that not all African women, particularly Nigerians, are completely oppressed. This is highlighted through the portrayal of the female characters Adaku, Ona and Adankwo. As a result, Emecheta wants Nigerian women to be self-fulfilled, so she wants to heal the society from sexism and racism Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=15388

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The Depiction of the 1950s American Inner and Social Anxieties within a Cultural Context in Shirley Jackson’s We Have Always Lived in the Castle (1962) / Nesrine Laraba 

Public ISBD Titre : The Depiction of the 1950s American Inner and Social Anxieties within a Cultural Context in Shirley Jackson’s We Have Always Lived in the Castle (1962) Type de document : texte imprimé Auteurs : Nesrine Laraba, Auteur ; Ibtihel Assabaa, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2020 Importance : 74 f. Format : 30cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : The Fifties  Jungian archetypal criticism  Age of Anxiety  The Great Mother archetype  The collective shadow  Masculine identity crisis  Conformity. Index. décimale : 420 Langue anglaise Résumé : This dissertation focuses on portraying the inner and social anxieties of the 1950s in Shirley Jackson’s novel We Have Always Lived in the Castle (1962). It aims at establishing a cultural context to the novel in order to provide a new understanding of Shirley Jackson’s literature and classifying her as a quintessential writer of the 1950s. It mainly focuses on the way the novel depicts the psychological and social anxieties of the fifties through the struggles of the main characters. The study adopts the Jungian archetypal criticism in addition to the American cultural history of the 1950s in order to juxtapose the archetypes found in the novel with the issues of that decade. Therefore, the main conclusion provides evidence that the novel, indeed, depicts the fifties’ anxieties, and that Shirley Jackson is considered as a quintessential writer of that age. Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13853 The Depiction of the 1950s American Inner and Social Anxieties within a Cultural Context in Shirley Jackson’s We Have Always Lived in the Castle (1962) [texte imprimé] / Nesrine Laraba, Auteur ; Ibtihel Assabaa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2020 . - 74 f. ; 30cm. Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : The Fifties  Jungian archetypal criticism  Age of Anxiety  The Great Mother archetype  The collective shadow  Masculine identity crisis  Conformity. Index. décimale : 420 Langue anglaise Résumé : This dissertation focuses on portraying the inner and social anxieties of the 1950s in Shirley Jackson’s novel We Have Always Lived in the Castle (1962). It aims at establishing a cultural context to the novel in order to provide a new understanding of Shirley Jackson’s literature and classifying her as a quintessential writer of the 1950s. It mainly focuses on the way the novel depicts the psychological and social anxieties of the fifties through the struggles of the main characters. The study adopts the Jungian archetypal criticism in addition to the American cultural history of the 1950s in order to juxtapose the archetypes found in the novel with the issues of that decade. Therefore, the main conclusion provides evidence that the novel, indeed, depicts the fifties’ anxieties, and that Shirley Jackson is considered as a quintessential writer of that age. Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13853

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The Representation of Female and Male Characters in Classic and Contemporary Fairy Tales: An Analysis of Grimm’s “Rapunzel” and Disney’s Frozen from a Feminist Standpoint / Nihed Ramoul 

Public ISBD Titre : The Representation of Female and Male Characters in Classic and Contemporary Fairy Tales: An Analysis of Grimm’s “Rapunzel” and Disney’s Frozen from a Feminist Standpoint Type de document : texte imprimé Auteurs : Nihed Ramoul, Auteur ; Ibtihel Assabaa, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2019 Importance : 59 f. Format : 30cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Français (fre) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Gender stereotypes  Feminist approach  Fairy tales  “Rapunzel”  Frozen  Grimm  Disney. Index. décimale : 420 Langue anglaise Résumé : The thesis studies the depiction of female and male characters in classic and contemporary fairy tales. It focuses mainly on the development of the female character and how it has changed over time explaining the evolving of children’s literature from oral to written. Additionally, it examines the characters and symbols in Grimm’s fairy tales “Rapunzel”. They are German famous writers who collected the oral fairy tales and have written them in one book. It also examines Disney’s animated movie “Frozen”. Which is a very popular animated movie because of the different elements it represents associated with feminism. The thesis studies both stories from a feminist standpoint. It adopts the 2nd wave feminist approach to figure out whether Disney has broken gender stereotypes represented in the classic fairy tale or not. Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=12573 The Representation of Female and Male Characters in Classic and Contemporary Fairy Tales: An Analysis of Grimm’s “Rapunzel” and Disney’s Frozen from a Feminist Standpoint [texte imprimé] / Nihed Ramoul, Auteur ; Ibtihel Assabaa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2019 . - 59 f. ; 30cm. Une copie electronique PDF disponible au BUC. Langues : Français (fre) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Gender stereotypes  Feminist approach  Fairy tales  “Rapunzel”  Frozen  Grimm  Disney. Index. décimale : 420 Langue anglaise Résumé : The thesis studies the depiction of female and male characters in classic and contemporary fairy tales. It focuses mainly on the development of the female character and how it has changed over time explaining the evolving of children’s literature from oral to written. Additionally, it examines the characters and symbols in Grimm’s fairy tales “Rapunzel”. They are German famous writers who collected the oral fairy tales and have written them in one book. It also examines Disney’s animated movie “Frozen”. Which is a very popular animated movie because of the different elements it represents associated with feminism. The thesis studies both stories from a feminist standpoint. It adopts the 2nd wave feminist approach to figure out whether Disney has broken gender stereotypes represented in the classic fairy tale or not. Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=12573

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Themes Of Identity Empowerment And Invisibility In Jazz . Literature And Post Colonialism In Ralph Ellison's Novel Invisible Man. / Camelia Ben Chabane 

Public ISBD Titre : Themes Of Identity Empowerment And Invisibility In Jazz . Literature And Post Colonialism In Ralph Ellison's Novel Invisible Man. Type de document : texte imprimé Auteurs : Camelia Ben Chabane, Auteur ; Ibtihel Assabaa, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2019 Importance : 55 f. Format : 30cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Français (fre) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : themes of identity Empowerment  Jaz . Index. décimale : 420 Langue anglaise Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=11570 Themes Of Identity Empowerment And Invisibility In Jazz . Literature And Post Colonialism In Ralph Ellison's Novel Invisible Man. [texte imprimé] / Camelia Ben Chabane, Auteur ; Ibtihel Assabaa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2019 . - 55 f. ; 30cm. Une copie electronique PDF disponible au BUC. Langues : Français (fre) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : themes of identity Empowerment  Jaz . Index. décimale : 420 Langue anglaise Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=11570

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