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Auteur Moufida Zaidi |
Documents disponibles écrits par cet auteur (7)
Affiner la rechercheAbandoning Eurocentrism and Embracing the Exotic Culture in Ruth Rrawer Jhabvala’s Heat And Dust Dissertation Submitted in Partial fulfilment of the requirement for the Master degree in English Literature / Issam Bounab
Titre : Abandoning Eurocentrism and Embracing the Exotic Culture in Ruth Rrawer Jhabvala’s Heat And Dust Dissertation Submitted in Partial fulfilment of the requirement for the Master degree in English Literature Type de document : texte imprimé Auteurs : Issam Bounab, Auteur ; Moufida Zaidi, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2020 Importance : 89 f. Format : 30cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Orientalism Eurocentrism Superiority Inferiority. Index. décimale : 420 Langue anglaise Résumé : In the post-colonial discourse, the east and west have always been put in a binary
opposition. Heat and Dust presents the opposition between east and west based on difference
and most importantly a process of inferiorization of the east. The west has stereotyped the
orient with everything that the west is not. By exploring the novel, the research aims to reveal
these attractive elements of difference which made superior British fall for the periphery and
to exhibit the source of these differences. It attempts to prove that the reason for this attraction
is found in the limitations of the western British culture which is supposedly superior, thus,
the research challenged the superiority of the western cultures and the inferiorization of the
oriental ones. The study is divided into two chapters in which the first highlights the
theoretical background that manages the theories and the ideologies behind the behaviours of
the characters such as, Orientalism, Eurocentrism, and determinism. The second chapter
analyses the experiences of the characters in accordance with the aforementioned theories. It
highlights, through characters, the Westerners' inferiorization of India as well as their fall for
it. The research displays the binary opposition and reverses the stereotypical image of the
west's superiority by shedding light on India's spirit of collectivism.Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13744 Abandoning Eurocentrism and Embracing the Exotic Culture in Ruth Rrawer Jhabvala’s Heat And Dust Dissertation Submitted in Partial fulfilment of the requirement for the Master degree in English Literature [texte imprimé] / Issam Bounab, Auteur ; Moufida Zaidi, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2020 . - 89 f. ; 30cm.
Une copie electronique PDF disponible au BUC.
Langues : Anglais (eng)
Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Orientalism Eurocentrism Superiority Inferiority. Index. décimale : 420 Langue anglaise Résumé : In the post-colonial discourse, the east and west have always been put in a binary
opposition. Heat and Dust presents the opposition between east and west based on difference
and most importantly a process of inferiorization of the east. The west has stereotyped the
orient with everything that the west is not. By exploring the novel, the research aims to reveal
these attractive elements of difference which made superior British fall for the periphery and
to exhibit the source of these differences. It attempts to prove that the reason for this attraction
is found in the limitations of the western British culture which is supposedly superior, thus,
the research challenged the superiority of the western cultures and the inferiorization of the
oriental ones. The study is divided into two chapters in which the first highlights the
theoretical background that manages the theories and the ideologies behind the behaviours of
the characters such as, Orientalism, Eurocentrism, and determinism. The second chapter
analyses the experiences of the characters in accordance with the aforementioned theories. It
highlights, through characters, the Westerners' inferiorization of India as well as their fall for
it. The research displays the binary opposition and reverses the stereotypical image of the
west's superiority by shedding light on India's spirit of collectivism.Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13744 Réservation
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Titre : Between Strained Marriage and Mind Games: A Jungian Interpretation of Gillian Flynn’s Gone Girl Type de document : texte imprimé Auteurs : Beya Achi Tahani, Auteur ; Moufida Zaidi, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2021 Importance : 72 f. Format : 30 cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Gone Girl Psychoanalysis Carl G. Jung, character archetypes collective
unconscious Amy Elliot Dunne Nick Dunne.Index. décimale : 420 Langue anglaise Résumé : This study aims at indentifying the archetypal figures embodied within the novel’s two
main characters: Amy Elliott Dunne and Nick Dunne. It investigates the nature of the
relationship between the pair by conducting an analysis of their marriage dynamic as well as
their childhoods, in order to understand the role of these two factors in shaping their
personalities and their attitudes towards the opposite sex. The approach used for the
conduction of this research is Carl G. Jung’s theory of the archetypes and the collective
unconscious. The archetypes applied on the two subjects of study consist of the Persona, the
Shadow, the Anima, the Trickster, the Femme Fatale and the Female Villain archetypes. The
study reveals that although Amy and Nick embody the same core archetypes, their archetypal
images differ completely in the way they are displayed in their behaviors due to their
childhood experiences and societal norms. Finally, this research concludes that although the
spouses are each others’ ultimate nemesis, they are at the same time each others’ heroes and
saviors.Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=15391 Between Strained Marriage and Mind Games: A Jungian Interpretation of Gillian Flynn’s Gone Girl [texte imprimé] / Beya Achi Tahani, Auteur ; Moufida Zaidi, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2021 . - 72 f. ; 30 cm.
Une copie electronique PDF disponible au BUC.
Langues : Anglais (eng)
Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Gone Girl Psychoanalysis Carl G. Jung, character archetypes collective
unconscious Amy Elliot Dunne Nick Dunne.Index. décimale : 420 Langue anglaise Résumé : This study aims at indentifying the archetypal figures embodied within the novel’s two
main characters: Amy Elliott Dunne and Nick Dunne. It investigates the nature of the
relationship between the pair by conducting an analysis of their marriage dynamic as well as
their childhoods, in order to understand the role of these two factors in shaping their
personalities and their attitudes towards the opposite sex. The approach used for the
conduction of this research is Carl G. Jung’s theory of the archetypes and the collective
unconscious. The archetypes applied on the two subjects of study consist of the Persona, the
Shadow, the Anima, the Trickster, the Femme Fatale and the Female Villain archetypes. The
study reveals that although Amy and Nick embody the same core archetypes, their archetypal
images differ completely in the way they are displayed in their behaviors due to their
childhood experiences and societal norms. Finally, this research concludes that although the
spouses are each others’ ultimate nemesis, they are at the same time each others’ heroes and
saviors.Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=15391 Réservation
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Texte intégréAdobe Acrobat PDF
Titre : Naturalism and Avant-Garde as Aspects of Modernity in John Webster's The Duchess of Malfi Type de document : texte imprimé Auteurs : Imene Chiboub, Auteur ; Moufida Zaidi, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2020 Importance : 85 f. Format : 30cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : John Webster The Duchess of Malfi Jacobean Tragedy Traditional conventions Modernity Naturalism. Experimentalism. Avant-garde. Index. décimale : 420 Langue anglaise Résumé : John Webster is a Jacobean dramatist and contemporary of Shakespeare. His play, The
Duchess of Malfi, is a quite enticing piece of literature that created controversial views and
reactions for more than four centuries. The play was perceived as secondary to Shakespeare's and
was criticized vis-à-vis the traditional conventions of Jacobean tragedies. Different readings of the
play provided either a conventional analysis considering the Jacobean conventions or a dismissive
criticism that saw the play in terms of melodrama and shed light only on the use of violence,
blood, and waxworks. However, recent reactions of the nineteenth and twentieth century suggest
new interest from a distinctive perspective that centers Modernity traits in the play. The present
dissertation aims to regard The Duchess of Malfi as a stand-alone script based on its own merit in
terms of the playwright's use of Naturalism. It also focuses on the fact that Webster's work was
met with initial unacceptance, which brings into attention the experimenting and unorthodox
nature of the work that meets the criteria of the Avant-Garde movement. Constructing on the
previous, this inquiry is divided into two chapters. The first one is a theoretical chapter that
includes theories of Naturalism, Life Force, and an explanation of the Avant-Garde movement.
The second chapter includes the analysis of the play in terms of the previously viewed theories.
As a Jacobean dramatist, John Webster, with his unconventional writing of TheDuchess of Malfi,
had constructed a precursor play that is ahead of its timeDiplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13839 Naturalism and Avant-Garde as Aspects of Modernity in John Webster's The Duchess of Malfi [texte imprimé] / Imene Chiboub, Auteur ; Moufida Zaidi, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2020 . - 85 f. ; 30cm.
Une copie electronique PDF disponible au BUC.
Langues : Anglais (eng)
Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : John Webster The Duchess of Malfi Jacobean Tragedy Traditional conventions Modernity Naturalism. Experimentalism. Avant-garde. Index. décimale : 420 Langue anglaise Résumé : John Webster is a Jacobean dramatist and contemporary of Shakespeare. His play, The
Duchess of Malfi, is a quite enticing piece of literature that created controversial views and
reactions for more than four centuries. The play was perceived as secondary to Shakespeare's and
was criticized vis-à-vis the traditional conventions of Jacobean tragedies. Different readings of the
play provided either a conventional analysis considering the Jacobean conventions or a dismissive
criticism that saw the play in terms of melodrama and shed light only on the use of violence,
blood, and waxworks. However, recent reactions of the nineteenth and twentieth century suggest
new interest from a distinctive perspective that centers Modernity traits in the play. The present
dissertation aims to regard The Duchess of Malfi as a stand-alone script based on its own merit in
terms of the playwright's use of Naturalism. It also focuses on the fact that Webster's work was
met with initial unacceptance, which brings into attention the experimenting and unorthodox
nature of the work that meets the criteria of the Avant-Garde movement. Constructing on the
previous, this inquiry is divided into two chapters. The first one is a theoretical chapter that
includes theories of Naturalism, Life Force, and an explanation of the Avant-Garde movement.
The second chapter includes the analysis of the play in terms of the previously viewed theories.
As a Jacobean dramatist, John Webster, with his unconventional writing of TheDuchess of Malfi,
had constructed a precursor play that is ahead of its timeDiplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13839 Réservation
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texte intérgéAdobe Acrobat PDF
Titre : The Contemporary Liquid Villain: Morally Ambiguous Characters In Gillian Flynn’s Gone Girl And Sharp Objects Type de document : texte imprimé Auteurs : Khadidja Boulahbal, Auteur ; Moufida Zaidi, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2020 Importance : 106 f. Format : 30cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Jungian Psychoanalysis Liquid Modernity Dark Triad Archetypes Freedom Time/Space Human Relationships Morally Ambiguous Characters Villains Gone Girl Sharp
Objects.Index. décimale : 420 Langue anglaise Résumé : Gillian Flynn’s Gone Girl (2012) and Sharp Objects (2006) mirror the changes that
occurred in human nature and human suffering in a contemporary setting, or rather an age of
anxiety. Intertwined with unauthentic, liquefied selves and cyclical narratives, individuals no
longer identify as one single entity, but as multifaceted, morally ambiguous characters. Therefore,
humanity is stripped from its humanness, labeling one another as subjects of desire and objects to
use maladaptively, which outlines the main question concerning this study. These contemporary
beliefs and hierarchies are depicted in both literary works and are assessed in this research in social
and psychoanalytical terms through the facet of villainy. The Jungian psychoanalytical perspective
contextualizes the novels as archetypal representations, whereas Zygmunt Bauman’s Liquid
Modernity depicts a sociological perspective.Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13356 The Contemporary Liquid Villain: Morally Ambiguous Characters In Gillian Flynn’s Gone Girl And Sharp Objects [texte imprimé] / Khadidja Boulahbal, Auteur ; Moufida Zaidi, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2020 . - 106 f. ; 30cm.
Une copie electronique PDF disponible au BUC.
Langues : Anglais (eng)
Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Jungian Psychoanalysis Liquid Modernity Dark Triad Archetypes Freedom Time/Space Human Relationships Morally Ambiguous Characters Villains Gone Girl Sharp
Objects.Index. décimale : 420 Langue anglaise Résumé : Gillian Flynn’s Gone Girl (2012) and Sharp Objects (2006) mirror the changes that
occurred in human nature and human suffering in a contemporary setting, or rather an age of
anxiety. Intertwined with unauthentic, liquefied selves and cyclical narratives, individuals no
longer identify as one single entity, but as multifaceted, morally ambiguous characters. Therefore,
humanity is stripped from its humanness, labeling one another as subjects of desire and objects to
use maladaptively, which outlines the main question concerning this study. These contemporary
beliefs and hierarchies are depicted in both literary works and are assessed in this research in social
and psychoanalytical terms through the facet of villainy. The Jungian psychoanalytical perspective
contextualizes the novels as archetypal representations, whereas Zygmunt Bauman’s Liquid
Modernity depicts a sociological perspective.Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13356 Réservation
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texte intérgéAdobe Acrobat PDF
Titre : The Futile Quest for Self and Identity in a Postmodern World: A Psychoanalytic Interpretation of Paul Auster’s City of Glass Type de document : texte imprimé Auteurs : Abir Ben Ahmed, Auteur ; Moufida Zaidi, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2021 Importance : 77 f. Format : 30 cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Paul Auster City of Glass Psychoanalysis Jacque Lacan Sigmund Freud mental disorientation nowhere Trauma reclusive life Index. décimale : 420 Langue anglaise Résumé : Based on its significant relation to memory and recollections, Paul Auster’s
Postmodern works are centred around self and identity. His protagonists in City of Glass
cease not to quest for concrete answers to questions about the purpose of their existence in
life and the essence of being in the puzzled Postmodern world. Hence, postulating on City of
Glass’ protagonists, Daniel Quinn and Junior Peter Stillman’s mental state, the present study
embraces the task of examining their loss of self and identity. Those characters have not only
been deeply traumatized, but most importantly they have been incapable to confront their past
traumas and overcome the pain and isolation. As a result of their constant search of a true
purpose in life, they gradually unveil and explore traits of their split personas, loss of selfwholeness and multiple layers of their identity leading to the ultimate recognition of being
lost. Through implementing Lacan’s three orders, notions of desire and “object a”, concepts
of “the gaze” and “alienation” and Freud’s “Unconscious mind” and “PTSD”, Quinn and
Junior Peter’s deeds, behaviours and impulses are going to be interpreted closely. This study
reveals that the targeted protagonists are living in a labyrinth of displaced, lost, alienated,
fragmented selves that are just as intricate and damaged as any other Postmodern individual.Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=15213 The Futile Quest for Self and Identity in a Postmodern World: A Psychoanalytic Interpretation of Paul Auster’s City of Glass [texte imprimé] / Abir Ben Ahmed, Auteur ; Moufida Zaidi, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2021 . - 77 f. ; 30 cm.
Une copie electronique PDF disponible au BUC.
Langues : Anglais (eng)
Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Paul Auster City of Glass Psychoanalysis Jacque Lacan Sigmund Freud mental disorientation nowhere Trauma reclusive life Index. décimale : 420 Langue anglaise Résumé : Based on its significant relation to memory and recollections, Paul Auster’s
Postmodern works are centred around self and identity. His protagonists in City of Glass
cease not to quest for concrete answers to questions about the purpose of their existence in
life and the essence of being in the puzzled Postmodern world. Hence, postulating on City of
Glass’ protagonists, Daniel Quinn and Junior Peter Stillman’s mental state, the present study
embraces the task of examining their loss of self and identity. Those characters have not only
been deeply traumatized, but most importantly they have been incapable to confront their past
traumas and overcome the pain and isolation. As a result of their constant search of a true
purpose in life, they gradually unveil and explore traits of their split personas, loss of selfwholeness and multiple layers of their identity leading to the ultimate recognition of being
lost. Through implementing Lacan’s three orders, notions of desire and “object a”, concepts
of “the gaze” and “alienation” and Freud’s “Unconscious mind” and “PTSD”, Quinn and
Junior Peter’s deeds, behaviours and impulses are going to be interpreted closely. This study
reveals that the targeted protagonists are living in a labyrinth of displaced, lost, alienated,
fragmented selves that are just as intricate and damaged as any other Postmodern individual.Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=15213 Réservation
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Texte intégréAdobe Acrobat PDF
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