The Contemporary Liquid Villain: Morally Ambiguous Characters In Gillian Flynn’s Gone Girl And Sharp Objects / Khadidja Boulahbal 

Public ISBD Titre : The Contemporary Liquid Villain: Morally Ambiguous Characters In Gillian Flynn’s Gone Girl And Sharp Objects Type de document : texte imprimé Auteurs : Khadidja Boulahbal, Auteur ; Moufida Zaidi, Directeur de thèse Editeur : CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine Année de publication : 2020 Importance : 106 f. Format : 30cm. Note générale : Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Jungian Psychoanalysis  Liquid Modernity  Dark Triad Archetypes  Freedom  Time/Space  Human Relationships  Morally Ambiguous Characters  Villains  Gone Girl  Sharp Objects. Index. décimale : 420 Langue anglaise Résumé : Gillian Flynn’s Gone Girl (2012) and Sharp Objects (2006) mirror the changes that occurred in human nature and human suffering in a contemporary setting, or rather an age of anxiety. Intertwined with unauthentic, liquefied selves and cyclical narratives, individuals no longer identify as one single entity, but as multifaceted, morally ambiguous characters. Therefore, humanity is stripped from its humanness, labeling one another as subjects of desire and objects to use maladaptively, which outlines the main question concerning this study. These contemporary beliefs and hierarchies are depicted in both literary works and are assessed in this research in social and psychoanalytical terms through the facet of villainy. The Jungian psychoanalytical perspective contextualizes the novels as archetypal representations, whereas Zygmunt Bauman’s Liquid Modernity depicts a sociological perspective. Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13356 The Contemporary Liquid Villain: Morally Ambiguous Characters In Gillian Flynn’s Gone Girl And Sharp Objects [texte imprimé] / Khadidja Boulahbal, Auteur ; Moufida Zaidi, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2020 . - 106 f. ; 30cm. Une copie electronique PDF disponible au BUC. Langues : Anglais (eng) Catégories : Lettres et Langues Etrangères:Langue Anglaise Tags : Jungian Psychoanalysis  Liquid Modernity  Dark Triad Archetypes  Freedom  Time/Space  Human Relationships  Morally Ambiguous Characters  Villains  Gone Girl  Sharp Objects. Index. décimale : 420 Langue anglaise Résumé : Gillian Flynn’s Gone Girl (2012) and Sharp Objects (2006) mirror the changes that occurred in human nature and human suffering in a contemporary setting, or rather an age of anxiety. Intertwined with unauthentic, liquefied selves and cyclical narratives, individuals no longer identify as one single entity, but as multifaceted, morally ambiguous characters. Therefore, humanity is stripped from its humanness, labeling one another as subjects of desire and objects to use maladaptively, which outlines the main question concerning this study. These contemporary beliefs and hierarchies are depicted in both literary works and are assessed in this research in social and psychoanalytical terms through the facet of villainy. The Jungian psychoanalytical perspective contextualizes the novels as archetypal representations, whereas Zygmunt Bauman’s Liquid Modernity depicts a sociological perspective. Diplome : Master 2 Permalink : https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=13356

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