Titre :	الأدب الجزائري المكتوب باللغة الفرنسية من منظور ما بعد استعماري : فضاء الهجنة و الترجمة الثقافية دراسة وصفية تحليلية "إحتفاء اللغة الفرنسية" لأسيا جبار أنموذجا
Type de document :	texte imprimé
Auteurs :	ريم زموشي, Auteur ; رشيد قريبع, Directeur de thèse
Editeur :	constantine [Algérie] : Université Constantine 1
Année de publication :	2014
Importance :	222 ورقة.
Format :	30 سم
Note générale :	2نسخ موجودة مكتبة المركزية
Langues :	Arabe (ara)
Catégories :	Arabe الترجمة
Tags :	littérature algerienne d’expression française  littérature postcoloniale  théorie postcoloniale  l’identité posrcoloniale  l’écrivain postcolonial  traducteur  hybridation culturelle  hybridation linguistique  la traduction  l’entre-deux  algerian francophone literature  postcolonial literature  postcolonial theory  postcolonial identity  postcolonial author  translator  cultural hybridization  linguistic hybridization  translation  in-between  الأدب الجزائري المكتوب باللغة الفرنسية  أدب مابعد الإستعمار  نظرية مابعد الإستعمار  الهوية مابعد الإستعمارية  الكاتب مابعد الإستعمارية المترجم  الهجنة اللغوية  الهجنة الثقافية  الترجمة  فضاء الما بين
Index. décimale :	400 اللغـــات
Résumé :	For a long time, most of the theoretical reflections on translation focused on the source text and the target text. However, translation took with the cultural turn and postcolonial theory, another dimension. Indeed, translation appears today as a process and a place of in-between, that is to say, recent work on translation theory and practice indicates the need for translation studies for more flexibility , in order to explore the implications of new concepts and practices of translation and to update the conceptual and ideological data on hybrid identities and cultural hybridity. This study, lies under the scope of Algerian francophone postcolonial studies, and examines a french writing by a bilingual Algerian author: Assia Djebar, the work “ La Disparition de la langue Française (2003) “The disappearance of the French language” . The novel evokes the storie of man who return to Algeria after a long exile. The main protoganist Berkane, almost fifty years old being exile from Algeria for twenty years returns to his native land and he attempts to retrieve his personal memories and the city of his youth . This research, aims to explore the analogy between the writing and the translation emerging from three principal observations: The first was about the hybrid feature of postcolonial Algerian literatury texts, the second tackles the similarities that seem to be common to both the writing strategies of the Algerian authors with French expression and the Foreignization strategies in translation. The third and the last one is related to the mediation role of the writer as a cultural translator who tells the Self using the language of the Other. These observations required the collection of some theoretical data in Translation Studies particularly ranging in postcolonial tendencies, and which revealed the Conception of Translation as a Metaphor of Postcolonial Writing; so as to tackle the question: Is it possible to talk about a postcolonial-author-translator? And assume that the distance between the text to be translated and the translated one is reproduced in the hybrid text scene.
Diplôme :	Magistère
En ligne :	../theses/traduction/AZEM3985.pdf
Format de la ressource électronique :	pdf
Permalink :	index.php?lvl=notice_display&id=9571

الأدب الجزائري المكتوب باللغة الفرنسية من منظور ما بعد استعماري : فضاء الهجنة و الترجمة الثقافية دراسة وصفية تحليلية "إحتفاء اللغة الفرنسية" لأسيا جبار أنموذجا [texte imprimé] / ريم زموشي, Auteur ; رشيد قريبع, Directeur de thèse . - constantine [Algérie] : Université Constantine 1, 2014 . - 222 ورقة. ; 30 سم.
2نسخ موجودة مكتبة المركزية

Langues : Arabe (ara)

Catégories :	Arabe الترجمة
Tags :	littérature algerienne d’expression française  littérature postcoloniale  théorie postcoloniale  l’identité posrcoloniale  l’écrivain postcolonial  traducteur  hybridation culturelle  hybridation linguistique  la traduction  l’entre-deux  algerian francophone literature  postcolonial literature  postcolonial theory  postcolonial identity  postcolonial author  translator  cultural hybridization  linguistic hybridization  translation  in-between  الأدب الجزائري المكتوب باللغة الفرنسية  أدب مابعد الإستعمار  نظرية مابعد الإستعمار  الهوية مابعد الإستعمارية  الكاتب مابعد الإستعمارية المترجم  الهجنة اللغوية  الهجنة الثقافية  الترجمة  فضاء الما بين
Index. décimale :	400 اللغـــات
Résumé :	For a long time, most of the theoretical reflections on translation focused on the source text and the target text. However, translation took with the cultural turn and postcolonial theory, another dimension. Indeed, translation appears today as a process and a place of in-between, that is to say, recent work on translation theory and practice indicates the need for translation studies for more flexibility , in order to explore the implications of new concepts and practices of translation and to update the conceptual and ideological data on hybrid identities and cultural hybridity. This study, lies under the scope of Algerian francophone postcolonial studies, and examines a french writing by a bilingual Algerian author: Assia Djebar, the work “ La Disparition de la langue Française (2003) “The disappearance of the French language” . The novel evokes the storie of man who return to Algeria after a long exile. The main protoganist Berkane, almost fifty years old being exile from Algeria for twenty years returns to his native land and he attempts to retrieve his personal memories and the city of his youth . This research, aims to explore the analogy between the writing and the translation emerging from three principal observations: The first was about the hybrid feature of postcolonial Algerian literatury texts, the second tackles the similarities that seem to be common to both the writing strategies of the Algerian authors with French expression and the Foreignization strategies in translation. The third and the last one is related to the mediation role of the writer as a cultural translator who tells the Self using the language of the Other. These observations required the collection of some theoretical data in Translation Studies particularly ranging in postcolonial tendencies, and which revealed the Conception of Translation as a Metaphor of Postcolonial Writing; so as to tackle the question: Is it possible to talk about a postcolonial-author-translator? And assume that the distance between the text to be translated and the translated one is reproduced in the hybrid text scene.
Diplôme :	Magistère
En ligne :	../theses/traduction/AZEM3985.pdf
Format de la ressource électronique :	pdf
Permalink :	index.php?lvl=notice_display&id=9571