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440 : Langues romanes. Français |
Ouvrages de la bibliothèque en indexation 440 (319)
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Titre : La représentation de Paris à la « Belle Époque » chez Colette dans : Claudine à Paris, En camarades, Contes de mille et un matins. Type de document : texte imprimé Auteurs : Yasmina Labed, Auteur ; Hassen Boussaha, Directeur de thèse ; Alain Vuillemin, Directeur de thèse Editeur : جامعة الإخوة منتوري قسنطينة Année de publication : 2018 Importance : 244 f. Format : 30 cm. Note générale : 2 copies imprimées disponibles
Langues : Français (fre) Catégories : Français - Anglais
Langue FrançaiseTags : Paris Colette La Belle Époque Image Les parisiens les Parisiennes The Parisian the Parisian women باریس كولیت الحقبة الجمیلة الصورة الباریسیون الباریسیات Index. décimale : 440 Langues romanes. Français Résumé : Paris holds a major place in Colette's work. An autobiographical narrative, appeared in 1944, Paris de ma fenêtre, in fact the confession. She remembers Paris of her youth that of the ""Belle Époque"" there, such as it existed before the World War I. His discovery of Paris in his life, leave of 1893, Colette told it in a way hardly veiled through the series of the Claudine; semi-autobiographical novels were published between 1900 and 1903. She also transposed this experience into most of her other romantic papers, up to the theater, in En camarades, a drama in two acts, created in 1907. It gets free of it a representation of complex Paris, the
esthetics of which is widely borrowed from the World of show. In his narratives, indeed, Colette excels in taking ""plastic poses"" to resume the subtitle of his play, En camarades. She""
poses"", indeed, she adopts postures, agreed attitudes, she mimes her own role to produce effects and to seem what she is not really. It is one of keys of her, creative approach. What she says of Paris which she knew about the ""Belle Époque"" participates of this fundamental feature of her personality. Resting on this very theatrical character of his writing and by postulating that the descriptions which she gives of this place, this city of Paris in the Belle Époque , would be as so many variations, manifestoes or hidden, of the same central, secret
self-portrait, his clean, we tried to identify the presence and its representations associated with
this favored place, Paris, in its work, and with the main male and feminine characters, the Parisians and the Parisians, that we meet there…
Diplôme : Doctorat en sciences En ligne : ../theses/francais/LAB1495.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10868 La représentation de Paris à la « Belle Époque » chez Colette dans : Claudine à Paris, En camarades, Contes de mille et un matins. [texte imprimé] / Yasmina Labed, Auteur ; Hassen Boussaha, Directeur de thèse ; Alain Vuillemin, Directeur de thèse . - جامعة الإخوة منتوري قسنطينة, 2018 . - 244 f. ; 30 cm.
2 copies imprimées disponibles
Langues : Français (fre)
Catégories : Français - Anglais
Langue FrançaiseTags : Paris Colette La Belle Époque Image Les parisiens les Parisiennes The Parisian the Parisian women باریس كولیت الحقبة الجمیلة الصورة الباریسیون الباریسیات Index. décimale : 440 Langues romanes. Français Résumé : Paris holds a major place in Colette's work. An autobiographical narrative, appeared in 1944, Paris de ma fenêtre, in fact the confession. She remembers Paris of her youth that of the ""Belle Époque"" there, such as it existed before the World War I. His discovery of Paris in his life, leave of 1893, Colette told it in a way hardly veiled through the series of the Claudine; semi-autobiographical novels were published between 1900 and 1903. She also transposed this experience into most of her other romantic papers, up to the theater, in En camarades, a drama in two acts, created in 1907. It gets free of it a representation of complex Paris, the
esthetics of which is widely borrowed from the World of show. In his narratives, indeed, Colette excels in taking ""plastic poses"" to resume the subtitle of his play, En camarades. She""
poses"", indeed, she adopts postures, agreed attitudes, she mimes her own role to produce effects and to seem what she is not really. It is one of keys of her, creative approach. What she says of Paris which she knew about the ""Belle Époque"" participates of this fundamental feature of her personality. Resting on this very theatrical character of his writing and by postulating that the descriptions which she gives of this place, this city of Paris in the Belle Époque , would be as so many variations, manifestoes or hidden, of the same central, secret
self-portrait, his clean, we tried to identify the presence and its representations associated with
this favored place, Paris, in its work, and with the main male and feminine characters, the Parisians and the Parisians, that we meet there…
Diplôme : Doctorat en sciences En ligne : ../theses/francais/LAB1495.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10868 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité LAB/1495 LAB/1495 Thèse Bibliothèque principale Thèses Disponible
Titre : La Représentation du prolétariat et du sous-prolétariat chez Dickens et Zola Type de document : texte imprimé Auteurs : kheira Belgacem ; Bernard Hue, Directeur de thèse ; Université de Haute-Bretagne Rennes II, Éditeur scientifique Année de publication : 1980 Importance : 250 f. Note générale : 01 Disponible au magasin de la bibliothèque universitaire centrale Langues : Français (fre) Catégories : Français - Anglais
Langue FrançaiseTags : Prolériat Sous-prolétariat Dickens Zola (Emile) Index. décimale : 440 Langues romanes. Français Permalink : index.php?lvl=notice_display&id=5453 La Représentation du prolétariat et du sous-prolétariat chez Dickens et Zola [texte imprimé] / kheira Belgacem ; Bernard Hue, Directeur de thèse ; Université de Haute-Bretagne Rennes II, Éditeur scientifique . - 1980 . - 250 f.
01 Disponible au magasin de la bibliothèque universitaire centrale
Langues : Français (fre)
Catégories : Français - Anglais
Langue FrançaiseTags : Prolériat Sous-prolétariat Dickens Zola (Emile) Index. décimale : 440 Langues romanes. Français Permalink : index.php?lvl=notice_display&id=5453 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité BEL/130 BEL/130 Thèse Bibliothèque principale Thèses Disponible "Représentation de la révolte au féminin dans Des rêves et des assassins de Malika Mokeddem" / Ramila Demane Debbih
Titre : "Représentation de la révolte au féminin dans Des rêves et des assassins de Malika Mokeddem" Type de document : texte imprimé Auteurs : Ramila Demane Debbih, Auteur ; Jean pierre Castellani, Auteur Editeur : constantine [Algérie] : Université Constantine 1 Année de publication : 2013 Importance : 171 f. Format : 30 cm. Note générale : 2 copies imprimées disponibles
Langues : Français (fre) Catégories : Français - Anglais
Langue FrançaiseTags : autofiction, condition de la femme, révolte, représentation, société.
autofiction, Status of Women, revolt, representation, society.
خيال ذاتي، وضع المرأة،ثورة ،تمثيل،مجتمعIndex. décimale : 440 Langues romanes. Français Résumé : "The ninety years have seen the emergence of a new generation of French-speaking
North African female writers who have drawn attention to the plight of women in a
society marked by the weight of traditions and ancestral practices, this study focuses
on the examination of the text of “Dreams and assassins” by the Algerian novelist
Malika Mokeddem, that we qualify as autofiction.
This study has two complementary types of analyzes. The first applies the methods of
referential analysis in order to identify the indices of fictionalization within the text.
The second is based on the methods of sociological criticism which allows
highlighting the representative themes of feminine rebellion, first within the
discourse, then in society. The confrontation of these two methods allows measuring
the commitment of women in the fictional universe of Malika Mokeddem."
Diplôme : Magistère En ligne : ../theses/francais/DEM1355.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=9600 "Représentation de la révolte au féminin dans Des rêves et des assassins de Malika Mokeddem" [texte imprimé] / Ramila Demane Debbih, Auteur ; Jean pierre Castellani, Auteur . - constantine [Algérie] : Université Constantine 1, 2013 . - 171 f. ; 30 cm.
2 copies imprimées disponibles
Langues : Français (fre)
Catégories : Français - Anglais
Langue FrançaiseTags : autofiction, condition de la femme, révolte, représentation, société.
autofiction, Status of Women, revolt, representation, society.
خيال ذاتي، وضع المرأة،ثورة ،تمثيل،مجتمعIndex. décimale : 440 Langues romanes. Français Résumé : "The ninety years have seen the emergence of a new generation of French-speaking
North African female writers who have drawn attention to the plight of women in a
society marked by the weight of traditions and ancestral practices, this study focuses
on the examination of the text of “Dreams and assassins” by the Algerian novelist
Malika Mokeddem, that we qualify as autofiction.
This study has two complementary types of analyzes. The first applies the methods of
referential analysis in order to identify the indices of fictionalization within the text.
The second is based on the methods of sociological criticism which allows
highlighting the representative themes of feminine rebellion, first within the
discourse, then in society. The confrontation of these two methods allows measuring
the commitment of women in the fictional universe of Malika Mokeddem."
Diplôme : Magistère En ligne : ../theses/francais/DEM1355.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=9600 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité DEM/1355 DEM/1355 Thèse Bibliothèque principale Thèses Disponible
Titre : Représentations et attitudes des instituteurs à propos de l'enseignement du fran?ais dès la 3 Lme année primaire en Algérie Type de document : texte imprimé Auteurs : Wahiba Chebira ; Univ. de Constantine, Éditeur scientifique ; Yacine Derradji, Directeur de thèse Année de publication : 2010 Importance : 274 f. Format : 30 cm Note générale : 01 disponible à la salle de recherche
01 disponible au magasin de la bibliothèque universitaire centrale+ 1 cdLangues : Français (fre) Catégories : Français - Anglais
Langue FrançaiseTags : Représentations Attitudes Instituteurs Enseignement du fran?ais 3 Lme année primaire Algerie Index. décimale : 440 Langues romanes. Français Diplôme : Magistère En ligne : ../theses/francais/CHE1088.pdf Permalink : index.php?lvl=notice_display&id=5385 Représentations et attitudes des instituteurs à propos de l'enseignement du fran?ais dès la 3 Lme année primaire en Algérie [texte imprimé] / Wahiba Chebira ; Univ. de Constantine, Éditeur scientifique ; Yacine Derradji, Directeur de thèse . - 2010 . - 274 f. ; 30 cm.
01 disponible à la salle de recherche
01 disponible au magasin de la bibliothèque universitaire centrale+ 1 cd
Langues : Français (fre)
Catégories : Français - Anglais
Langue FrançaiseTags : Représentations Attitudes Instituteurs Enseignement du fran?ais 3 Lme année primaire Algerie Index. décimale : 440 Langues romanes. Français Diplôme : Magistère En ligne : ../theses/francais/CHE1088.pdf Permalink : index.php?lvl=notice_display&id=5385 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité CHE/1088 CHE/1088 Thèse Bibliothèque principale Thèses Disponible
Titre : Représentations culturelles et écriture : le cas d’Assia Djebar Corpus d’étude : L’Amour, la fantasia Loin de Médine Les Nuits de Strasbourg La Femme sans sépulture Type de document : texte imprimé Auteurs : Achour Hambli, Auteur ; Said Saidi, Directeur de thèse ; Monique Carcaud-Macaire, Directeur de thèse Editeur : جامعة الإخوة منتوري قسنطينة Année de publication : 2017 Note générale : 2 copies imprimées disponibles.
Langues : Français (fre) Catégories : Français - Anglais
Langue FrançaiseTags : Ecriture féminine conscience linguistique intertextualité interdiscursivité culture femme Women's Writing linguistic consciousness intertextuality interdiscursivity woman Index. décimale : 440 Langues romanes. Français Résumé : The pretext of the Arab-Muslim woman potentially founds djebarienne creation. The complexity of the novel constellation artistically combines the mantle of the great history, the will of an individual destiny, thematic writing, transmission of the gel between the sexes, the dance desire to sunlight, the body pleasures to the body that are not without injury. The expression djebarienne never ceases to issue its charms, tying and untying the arabesques of his flickering syntactic, lexical, idiomatic, brushing the fresco of Algeria, since the whispering voice-grandmothers. The sound revived by the language of the Other brand and reflects the narrative by both registration and deletion. The author was then inhabited by the desire of unveiling, of affirmation of
questioning. His writing indeed bears the mark of an explicit predominance Intermedial:
intertextual references and interdiscursive allied with characteristic expression of processes of film, painting, music, photography and mosaics singled aesthetics a writer for multidisciplinary training. The phrase djebarienne pulse, wobbles, ... irradiated lives:
the enunciation game at work since the Arab grandmothers contaminates the write French. Algerian women, from the pen of Assia DJEBAR inhabit the French textual body. A female phrasing and a minus body, suffocated, oppressed befall the voice of the sequestered. Keyword witnesses articulate the story and the great game by the interruption and resumption, orchestrating another text: ""ijtihad"" to far from Medina, ""the e'dou"" Vast is for the prison, ""Derra ""Shadow for sultana,"" homeland ""for the Disappearance of the French language,"" tzarl-rit ""L'Amour, la fantasia. These carriers words sit Baroque architecture deployed by the author in a heterogeneous French for
driving the narrative. The combination of djebarien text reflects the circularity of the story by raising the exchange from the hand of the teacher father hand cut a pulsed with anonymous Algerian Eugene FROMENTIN whose narrator of Love grabs is the fantasia in him by grabbing ""the qalam"".
Based on these sporadic references artistically arranged in a specific archeology Djebar’s story, we hypothesize a cultural bold determination that defines his poetics. For the linguistic identity of a work is constructed through linguistic awareness of its author. An indispensable linguistic consciousness in literary communication, for it
is she who, on the one hand, participates in the construction of structures of the work and, secondly, ensuring the argument.The women's leitmotif is now ostensibly defying the inertia of tradition, of seclusion and silence. Speech, the look and the female body are reclaiming public space and an imposing celebrate empowerment acclaimed literary and artistic orthodoxy. The women's writing is affirmed by a profusion of competing products recognized in the
various directions.
Diplôme : Doctorat en sciences En ligne : ../theses/francais/HAM1452.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10614 Représentations culturelles et écriture : le cas d’Assia Djebar Corpus d’étude : L’Amour, la fantasia Loin de Médine Les Nuits de Strasbourg La Femme sans sépulture [texte imprimé] / Achour Hambli, Auteur ; Said Saidi, Directeur de thèse ; Monique Carcaud-Macaire, Directeur de thèse . - جامعة الإخوة منتوري قسنطينة, 2017.
2 copies imprimées disponibles.
Langues : Français (fre)
Catégories : Français - Anglais
Langue FrançaiseTags : Ecriture féminine conscience linguistique intertextualité interdiscursivité culture femme Women's Writing linguistic consciousness intertextuality interdiscursivity woman Index. décimale : 440 Langues romanes. Français Résumé : The pretext of the Arab-Muslim woman potentially founds djebarienne creation. The complexity of the novel constellation artistically combines the mantle of the great history, the will of an individual destiny, thematic writing, transmission of the gel between the sexes, the dance desire to sunlight, the body pleasures to the body that are not without injury. The expression djebarienne never ceases to issue its charms, tying and untying the arabesques of his flickering syntactic, lexical, idiomatic, brushing the fresco of Algeria, since the whispering voice-grandmothers. The sound revived by the language of the Other brand and reflects the narrative by both registration and deletion. The author was then inhabited by the desire of unveiling, of affirmation of
questioning. His writing indeed bears the mark of an explicit predominance Intermedial:
intertextual references and interdiscursive allied with characteristic expression of processes of film, painting, music, photography and mosaics singled aesthetics a writer for multidisciplinary training. The phrase djebarienne pulse, wobbles, ... irradiated lives:
the enunciation game at work since the Arab grandmothers contaminates the write French. Algerian women, from the pen of Assia DJEBAR inhabit the French textual body. A female phrasing and a minus body, suffocated, oppressed befall the voice of the sequestered. Keyword witnesses articulate the story and the great game by the interruption and resumption, orchestrating another text: ""ijtihad"" to far from Medina, ""the e'dou"" Vast is for the prison, ""Derra ""Shadow for sultana,"" homeland ""for the Disappearance of the French language,"" tzarl-rit ""L'Amour, la fantasia. These carriers words sit Baroque architecture deployed by the author in a heterogeneous French for
driving the narrative. The combination of djebarien text reflects the circularity of the story by raising the exchange from the hand of the teacher father hand cut a pulsed with anonymous Algerian Eugene FROMENTIN whose narrator of Love grabs is the fantasia in him by grabbing ""the qalam"".
Based on these sporadic references artistically arranged in a specific archeology Djebar’s story, we hypothesize a cultural bold determination that defines his poetics. For the linguistic identity of a work is constructed through linguistic awareness of its author. An indispensable linguistic consciousness in literary communication, for it
is she who, on the one hand, participates in the construction of structures of the work and, secondly, ensuring the argument.The women's leitmotif is now ostensibly defying the inertia of tradition, of seclusion and silence. Speech, the look and the female body are reclaiming public space and an imposing celebrate empowerment acclaimed literary and artistic orthodoxy. The women's writing is affirmed by a profusion of competing products recognized in the
various directions.
Diplôme : Doctorat en sciences En ligne : ../theses/francais/HAM1452.pdf Format de la ressource électronique : Permalink : index.php?lvl=notice_display&id=10614 Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité HAM/1452 HAM/1452 Thèse Bibliothèque principale Thèses Disponible
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