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Titre : |
A case study of jane eyre as a new model of womanhood in the victorian era |
Type de document : |
texte imprimé |
Auteurs : |
Meryem Boulfelfel, Auteur ; Imane Benkhelifa, Directeur de thèse |
Editeur : |
CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine |
Année de publication : |
2017 |
Importance : |
57 f. |
Format : |
30 cm |
Note générale : |
Une copie électronique PDF disponible en BUC. |
Langues : |
Anglais (eng) |
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
British and American Studies The feminist question patriarchy madness Jane Eyre |
Index. décimale : |
420 Langue anglaise |
Résumé : |
The aim of this study is to show how Charlotte Bronte examined women’s suffering and her success in creating unconventional female characters that questioned inherent patriarchal thinking. Jane Eyre contributed to the feminist question through her quest for defining an identity that is hers and gaining an autonomous thinking. In this regard, this dissertation studies the social and historical backgrounds of the Victorian era, of women status, in addition to women’s portrayal in literary works of the era. The present research also involves an overview about madness as a symbol in feminist literature, and the anxiety of authorship in the nineteenth century. This research aims to shed light on the characteristics of the Victorian society, gender role and women position at that time. I intend to scrutinize women’s status in literature and the quest of women writers in the nineteenth century. Of particular interest to this study is the uniqueness of Jane Eyre as a model of a protagonist whose strong and independent character was formed under a nexus of male characters’ impact on her. Last but not least an analogy between the Jane Eyre and Bertha Mason, the mad woman in the attic is issued and deemed necessary to understand women’s subjection to psychological torments in a patriarchal environment |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=5002 |
A case study of jane eyre as a new model of womanhood in the victorian era [texte imprimé] / Meryem Boulfelfel, Auteur ; Imane Benkhelifa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2017 . - 57 f. ; 30 cm. Une copie électronique PDF disponible en BUC. Langues : Anglais ( eng)
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
British and American Studies The feminist question patriarchy madness Jane Eyre |
Index. décimale : |
420 Langue anglaise |
Résumé : |
The aim of this study is to show how Charlotte Bronte examined women’s suffering and her success in creating unconventional female characters that questioned inherent patriarchal thinking. Jane Eyre contributed to the feminist question through her quest for defining an identity that is hers and gaining an autonomous thinking. In this regard, this dissertation studies the social and historical backgrounds of the Victorian era, of women status, in addition to women’s portrayal in literary works of the era. The present research also involves an overview about madness as a symbol in feminist literature, and the anxiety of authorship in the nineteenth century. This research aims to shed light on the characteristics of the Victorian society, gender role and women position at that time. I intend to scrutinize women’s status in literature and the quest of women writers in the nineteenth century. Of particular interest to this study is the uniqueness of Jane Eyre as a model of a protagonist whose strong and independent character was formed under a nexus of male characters’ impact on her. Last but not least an analogy between the Jane Eyre and Bertha Mason, the mad woman in the attic is issued and deemed necessary to understand women’s subjection to psychological torments in a patriarchal environment |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=5002 |
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MSENG170191 | MSENG170191 | Document électronique | Bibliothèque principale | Mémoires | Disponible |
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texte integreAdobe Acrobat PDF | | |
Titre : |
Charlotte Perkins Gilman’s The Yellow Wallpaper: A Feminist Reading |
Type de document : |
texte imprimé |
Auteurs : |
Meriem Hamaizia, Auteur ; Imane Benkhelifa, Directeur de thèse |
Editeur : |
CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine |
Année de publication : |
2016 |
Importance : |
56 f. |
Format : |
30cm. |
Note générale : |
Une copie electronique PDF disponible au BUC. |
Langues : |
Français (fre) |
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
Confinement Patriarchal society Madness Escape Rest cure |
Index. décimale : |
420 Langue anglaise |
Résumé : |
This research analyzes how madness works in this short story to reveal the oppressive
control of gender on women of the nineteenth-century. Charlotte Perkins Gilman’s The Yellow
Wallpaper tackles the status of nineteenth-century women within the society. Charlotte
mirrors her feelings of fragmentation and rebellion against her confinement and submission to
laws established by patriarchal society and portrays in this short story that the woman, in an
attempt to escape her confinement, may flee into madness. This use of madness appears to
transform the negative construct of female insanity into necessary affirmation of the female
self, breaking the shackles of isolation and oppression that enslaved her. In my dissertation, I
want to show how the protagonist tries to break free from the bonds of male medical
profession and by large patriarchal dominance, which subject her to harsh treatment known as
the rest cure that denies her the freedom to engage in intellectual activities. Gilman had hoped
to create an awareness of the medical conventions imposed on women and to highlight the
social injustice that many American women were subjected to during the nineteenth-century. |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=12282 |
Charlotte Perkins Gilman’s The Yellow Wallpaper: A Feminist Reading [texte imprimé] / Meriem Hamaizia, Auteur ; Imane Benkhelifa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2016 . - 56 f. ; 30cm. Une copie electronique PDF disponible au BUC. Langues : Français ( fre)
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
Confinement Patriarchal society Madness Escape Rest cure |
Index. décimale : |
420 Langue anglaise |
Résumé : |
This research analyzes how madness works in this short story to reveal the oppressive
control of gender on women of the nineteenth-century. Charlotte Perkins Gilman’s The Yellow
Wallpaper tackles the status of nineteenth-century women within the society. Charlotte
mirrors her feelings of fragmentation and rebellion against her confinement and submission to
laws established by patriarchal society and portrays in this short story that the woman, in an
attempt to escape her confinement, may flee into madness. This use of madness appears to
transform the negative construct of female insanity into necessary affirmation of the female
self, breaking the shackles of isolation and oppression that enslaved her. In my dissertation, I
want to show how the protagonist tries to break free from the bonds of male medical
profession and by large patriarchal dominance, which subject her to harsh treatment known as
the rest cure that denies her the freedom to engage in intellectual activities. Gilman had hoped
to create an awareness of the medical conventions imposed on women and to highlight the
social injustice that many American women were subjected to during the nineteenth-century. |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=12282 |
|
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MSENG160151 | MSENG160151 | Document électronique | Bibliothèque principale | Mémoires | Disponible |
Documents numériques
Texte intégréAdobe Acrobat PDF | | |
Titre : |
Decadence in oscarwilde’s the picture of dorian gray : Lord henry’s hedonism and dorian gray’s narcissism |
Type de document : |
texte imprimé |
Auteurs : |
Sara Belkhalfa, Auteur ; Imane Benkhelifa, Directeur de thèse |
Editeur : |
CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine |
Année de publication : |
2015 |
Importance : |
59 f. |
Format : |
30 cm. |
Note générale : |
Une copie électronique PDF disponible en BUC. |
Langues : |
Anglais (eng) |
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
British and American Studies Decadence Fin De Siècle Gothicism Victorian England Aestheticism |
Index. décimale : |
420 Langue anglaise |
Résumé : |
This study aims at exploring the relation between the theme of decadence and Dorian
gray, the protagonist of Oscar Wilde’s only novel The Picture of Dorian Gray. The novel
belongs to gothic literature which is characterized by the use of horror, decay and gloomy
atmosphere. The novel establishes Wilde’s philosophy of art. Devoted to the school of
thought of Aestheticism and a mode of sensibility, Wilde believed that art possesses an
essential value. This attitude was revolutionary in Victorian England, where people believed
that art was just a carrier of morality. Decadence could be argued to be a faith instead of an
enlightenment movement, resulting in protests against realities, society and morals by means
of the Fin de siècle corrupted life styles. Wilde was able to create the character of Dorian
Gray who was responsible of his own destruction. The thesis will take as an issue whether
Dorian’s decadence is only due to him being influenced by Lord Henry, or whether there are
some underlying reasons. Through shedding light on the picture of Dorian gray, I claim that
Dorian’s downfall is also the outcome of his vanity and his narcissism. I attempt to Test this
hypothesis with the use of psychoanalytical approach to interpret the psyche of the main
characters as well as to interpret the painting.I will equally provide textual analysis to reveal
that Lord Henry’s bad influence on the protagonist was indeed behind his collapse, yet a
narcissistic, selfish Dorian is also at the origins of his demise |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=6209 |
Decadence in oscarwilde’s the picture of dorian gray : Lord henry’s hedonism and dorian gray’s narcissism [texte imprimé] / Sara Belkhalfa, Auteur ; Imane Benkhelifa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2015 . - 59 f. ; 30 cm. Une copie électronique PDF disponible en BUC. Langues : Anglais ( eng)
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
British and American Studies Decadence Fin De Siècle Gothicism Victorian England Aestheticism |
Index. décimale : |
420 Langue anglaise |
Résumé : |
This study aims at exploring the relation between the theme of decadence and Dorian
gray, the protagonist of Oscar Wilde’s only novel The Picture of Dorian Gray. The novel
belongs to gothic literature which is characterized by the use of horror, decay and gloomy
atmosphere. The novel establishes Wilde’s philosophy of art. Devoted to the school of
thought of Aestheticism and a mode of sensibility, Wilde believed that art possesses an
essential value. This attitude was revolutionary in Victorian England, where people believed
that art was just a carrier of morality. Decadence could be argued to be a faith instead of an
enlightenment movement, resulting in protests against realities, society and morals by means
of the Fin de siècle corrupted life styles. Wilde was able to create the character of Dorian
Gray who was responsible of his own destruction. The thesis will take as an issue whether
Dorian’s decadence is only due to him being influenced by Lord Henry, or whether there are
some underlying reasons. Through shedding light on the picture of Dorian gray, I claim that
Dorian’s downfall is also the outcome of his vanity and his narcissism. I attempt to Test this
hypothesis with the use of psychoanalytical approach to interpret the psyche of the main
characters as well as to interpret the painting.I will equally provide textual analysis to reveal
that Lord Henry’s bad influence on the protagonist was indeed behind his collapse, yet a
narcissistic, selfish Dorian is also at the origins of his demise |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=6209 |
|
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Réserver ce document
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MSENG150044 | MSENG150044 | Document électronique | Bibliothèque principale | Mémoires | Disponible |
Documents numériques
texte integreAdobe Acrobat PDF | | |
Titre : |
Edna 's quest for a transcendental feminist identity in the creole patriarchal society in kate chopin's the awakening |
Type de document : |
texte imprimé |
Auteurs : |
Meriem Meghzili, Auteur ; Imane Benkhelifa, Directeur de thèse |
Editeur : |
CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine |
Année de publication : |
2017 |
Importance : |
51 f. |
Format : |
30 cm. |
Note générale : |
Une copie électronique PDF disponible en BUC. |
Langues : |
Anglais (eng) |
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
British and American Studies Feminism Transcendentalism Awakening Identity |
Index. décimale : |
420 Langue anglaise |
Résumé : |
This dissertation undertakes a feminist reading of The Awakening by Kate Chopin,
precisely the story of a rebellious protagonist set during the late nineteenths of America.
Edna outlived a harsh patriarchal system, starting from her forced marriage by her father to
the controlled life by her husband, and above all the limited expectations of the Creole
society towards the programmed female gender role.This research aims to examine Edna
Pontellier self awakening and her quest for a new identity to gain freedom and independence.
To this aim, the feminist approach has been adopted to analyze the different stages that Edna
experienced along her stream of awareness towards freedom. Edna’s awakening could not
have been fulfilled without the considerable impact of nature and music upon her thinking. To
this end, it has been deemed essential to tackle these elements from a transcendental
perspective. Although she has gone through a zealous attempt of liberation from male
domination and society expectations, Edna was harshly condemned and her triumph was short
lived. The protagonist’s suicide marks her failure and represents her defeat in conquering a
male-dominated, confining Creole society. |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=4254 |
Edna 's quest for a transcendental feminist identity in the creole patriarchal society in kate chopin's the awakening [texte imprimé] / Meriem Meghzili, Auteur ; Imane Benkhelifa, Directeur de thèse . - CONSTANTINE [ALGERIE] : Université Frères Mentouri Constantine, 2017 . - 51 f. ; 30 cm. Une copie électronique PDF disponible en BUC. Langues : Anglais ( eng)
Catégories : |
Lettres et Langues Etrangères:Langue Anglaise
|
Tags : |
British and American Studies Feminism Transcendentalism Awakening Identity |
Index. décimale : |
420 Langue anglaise |
Résumé : |
This dissertation undertakes a feminist reading of The Awakening by Kate Chopin,
precisely the story of a rebellious protagonist set during the late nineteenths of America.
Edna outlived a harsh patriarchal system, starting from her forced marriage by her father to
the controlled life by her husband, and above all the limited expectations of the Creole
society towards the programmed female gender role.This research aims to examine Edna
Pontellier self awakening and her quest for a new identity to gain freedom and independence.
To this aim, the feminist approach has been adopted to analyze the different stages that Edna
experienced along her stream of awareness towards freedom. Edna’s awakening could not
have been fulfilled without the considerable impact of nature and music upon her thinking. To
this end, it has been deemed essential to tackle these elements from a transcendental
perspective. Although she has gone through a zealous attempt of liberation from male
domination and society expectations, Edna was harshly condemned and her triumph was short
lived. The protagonist’s suicide marks her failure and represents her defeat in conquering a
male-dominated, confining Creole society. |
Diplome : |
Master 2 |
Permalink : |
https://bu.umc.edu.dz/master/index.php?lvl=notice_display&id=4254 |
|
Réservation
Réserver ce document
Exemplaires (1)
|
MSENG170044 | MSENG170044 | Document électronique | Bibliothèque principale | Mémoires | Disponible |
Documents numériques
texte integreAdobe Acrobat PDF | | |
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